European Journal of Education Studies
ISSN: 2501 - 1111
ISSN-L: 2501 - 1111
Available on-line at: www.oapub.org/edu
doi: 10.5281/zenodo.231283
Volume 3 │ Issue 1 │ 2017
APPROACHES OF DESIGNERS IN THE
DEVELOPED EDUCATIONAL PURPOSES OF
INFOGRAPHICS’ DESIGN PROCESSES
Serkan Yildirimi
Ataturk University, Kazim Karabekir Faculty of Education, Turkey
Abstract:
Infographics enable users to receive information by using various visuals such as texts,
pictures, drawings, diagrams, graphs and so on in an organized structure. The use of
infographics, which can be designed in different platforms from visual design programs
to web environment developed specifically for the creation of infographics, in the
learning environments becomes more widespread. The number of studies investigated
design processes and view of designers in regard with infographics that are commonly
used in the learning environments is very limited. In this study, views and approaches
of designers in regard with infographics design process for educational purposes are
presented. A total of 64 participants including 35 female and 29 male participated in the
study. The results of the study show that female and male have similar understanding
in terms
of copyright,
publicity, references,
design preferences,
production
environments and production processes. On the other hand, designers have different
approaches and preferences in terms of design concept, design process, readability
level, sharing and contribution to the personal development, visual components,
colours, information sources, themes and quality perception.
Keywords: infographics, infographic design, preferences of infographics designers,
infographic designer, infographic designers' approaches
1. Introduction
Today, the materials used in learning environments are varied or assumed to
alternative forms. Infographics are one of the materials that are commonly used and
i
Correspondence email: serkanyildirim@atauni.edu.tr
Copyright © The Author(s). All Rights Reserved.
© 2015 – 2017 Open Access Publishing Group
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INFOGRAPHICS’ DESIGN PROCESSES
becoming more widespread in learning environments. Infographics have become of the
new trends in today’s learning approach since they includes many components that are
used in the visualization of knowledge and enable knowledge to be presented in
different visual forms (Williams 2002). Toth (2013) defines infographics as materials
created as a combination of visuals and texts that are prepared in order to provide easy
and understandable information about a subject to their readers. Lamb and Jhonson
(2014) define infographics as visual presentation of information, which is prepared for
readers to visualize the information that is normally difficult to understand.
Infographics provide information to be a part of a certain flow (Krum 2013). In
this way, too much information can be presented with a little explanation and
relationships can be shown (Lester 2011). Using infographics is one of the popular
methods that can transfer complex information to learners by appealing to their
multiple senses (Abilock and Williams 2014; Lamb and Jhonson 2014). In other words,
infographics offer new ways engaging with a logical sequence in order to present the
content in an interesting way. Flexible structure of infographics, being able to visualize
information and prepare in alternative forms can be listed among strengths of
infographics (Schroeder 2004). Since infographics can present extensive information
easily, they can be used to serve different purposes such as reminding the available
information, showing the relationship between concepts, transfer of processes and
events, presentation of course content and summarizing the information obtained
(Meeusah and Tangkijviwat 2013).
Although infographics are new teaching materials, the components used to
prepare these materials are not very new. Actually, Toth (2013) states that the history of
infographics dates back to Egyptian hieroglyphs. Many components such as pictures,
drawings, figures, symbols, graphics, and texts which are used in infographics, are
often used for presentation of information in different learning environments. At this
point, innovation brought by infographics is the use of visual components and
constructing the content in the presentation of information (Dick 2014).
The information to be transferred with the help of infographics can be presented
in a visual form by following a certain flow with various displaying methods such as
pictures, videos, charts, lists and texts (Krum 2013; Toth 2013). These features allow
infographics to be created by utilizing all types of multimedia components. According
to Lamb and Jhonson (2014), visual types in infographics with visual components in
particular are as follows:
∑
∑
∑
Graphics and drawings
Diagrams
Visualizations / Photos (Illustrations)
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∑
∑
∑
∑
Maps
Organizers (Concept maps, cause and effect modifiers, venn diagrams, etc.)
Photographs
Symbols
Infographics are categorized in different ways according to their visual types,
level of interactivity and multimedia components. Krum (2013) categorized
infographics as static, zooming, clickable, animated, video and interactive infographics.
Infographics in static structure that requires less effort than others and very common in
the web environments is encountered as the most common type for readers. According
to Krum (2013), the types and features of infographics are as follows:
∑
∑
∑
Static: It is the simplest and most common type. It can be created as an image or
PDF file. Printed forms are available.
Zooming: In addition to static structure of the infographics, it has an interactive
layer that can be zoomed in and out. They are published on the web in general.
Clickable: In addition to the features of static infographics, there some sections
including HTML links at certain points of the infographics. İnfographics in this
∑
form are usually presented on the web.
Animated: These infographics are hosting a variety of animations for readers to
watch. These are not video files, but infographics shared on the web
∑
environment and prepared with animations and images or supported by HTML.
Video: These infographics are created in video format. These video infographics
created in the form of a presentation can be shared in various video-sharing
∑
environments.
Interactive: These infographics include controls that allow readers to make
changes on the data and visualizations. Readers can devote more time to the
visuals and information presented by interactive infographics.
In differently from the classification of Krum (2013); Lankow, Ritchie and Crooks
(2012) categorize infographics according to the level of interaction presented by
infographics to their readers and list these categories as interactive, semi-interactive and
non-interactive infographics according to the multimedia components they host.
According to Lankow, Ritchie and Crooks (2012), the basic features of interactive, semiinteractive and non-interactive infographics are as follows:
∑
Non-interactive: Non-interactive infographics contain fixed texts and visual
components. The information is limited to the content offered. It is possible to
∑
use printed versions of these infographics.
Semi-interactive:
Semi-interactive
infographics
are
defined
as
motion
infographics. Motion infographics are created by revitalization of a content, and
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INFOGRAPHICS’ DESIGN PROCESSES
presenting it within the frame of a story and in the form of a video. These
∑
infographics use audio and visual components to present the content.
Interactive: Interactive infographics enable content to be presented in an
interactive form and allow a top-level reader-content interaction. Level of
interaction can vary from a very simple component to very high level. In
interactive infographics, information resources in the same or different media
can be used. In addition, it is possible to make search in the content or have
access to different information according to the selection.
The types of infographics stand with different features. However, it is possible to
produce information using different media types or different programs according to the
types of infographics. Each component of infographics can be created by using a
different software and environment. On the other hand, all components can be created
in a single environment. Infographics can be created through websites hosting software
dedicated for the creation of infographics or ready-made templates and icon charts. For
example, Lamb and Jhonson (2014) list the software and environments that can be used
to create infographics as follows:
∑
∑
∑
∑
Production software (Word, PowerPoint, etc.).
Infographics creating software via a computer (Life etc.).
Professional design software (Illustrator, Photoshop, Fireworks etc.).
Online private infographics creation environments (Easel.ly, Visually etc.).
Creating infographics is not only bringing texts and visuals in an interesting
form by using creation environments. Paying necessary attention to the basic features of
infographics while creating them will be useful. The basic design features of
infographics can be expressed as follows (Davidson 2014; Lamb and Jhonson 2014):
∑
∑
∑
∑
∑
∑
∑
∑
Infographics should be simple.
Infographics should be able to present complex information quickly and clearly.
Infographics should be integrated to the visuals and texts for presentation of
information.
Infographics should contain limited number of words and amount of text.
Text should be self-explanatory.
Infographics should have diversity of understanding to visualize the information
to be displayed.
Infographics should be beautiful and attractive for readers.
Design principles should be applied.
According to the earlier studies in the literature, designers should have some
understanding in order to highlight basic features of infographics. In order to create
infographics, using an effective approach in the presentation of information in addition
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to visual design is important. Therefore, finding, analyzing and using information and
using teaching design models while creating infographics is quite important. The points
required to be considered for an effective infographic are as follows (Lankow, Ritchie
and Crooks 2012; Davis and Quinn 2013; Davidson 2014; Lamb and Jhonson 2014):
∑
Preparation
o The purpose should be determined
o The type of infographic should be selected
o The information to be transferred should be determined
o The multimedia components that can be used should be determined
o The characteristics of the target audience should be taken into account
o The ideas and information to be proposed should be well organized
∑
o Data and information should be meaningful
Presentation of Information
o Information should be presented in an appropriate flow or context
o The target audience should be taken into account in the presentation of
information
o Information should be presented in a comparative form
∑
o The complex relationship between information must be shown
Design
o The title should include the content and message to be presented
o It should be easy to read the text
o Opposite colours to the background colour should be used for the
readability of text
o The fonts, shapes and colours should be consistent
o Visuals should be open and consistent with the content
o Images should be original or there should be no copyright problems
Infographics are considered to be an effective communication tool for
communication and transfer of information (Smiciklas 2012; Lazard and Atkinson 2015).
This is due to the accessibility features and distribution of infographics. The potential of
social media environments facilitate the distribution of infographics and allows access
of potential readers to infographics (Li 2013). In fact, some infographics become more
attention grabbing compared to web pages (Lamb and Jhonson 2014). Effective and well
prepared infographics contributes to the readers and they are among the alternative
learning materials. Davis and Quinn (2013) suggest that well-prepared infographics are
useful to support the development of students. Similarly, Lazard and Atkinson (2015)
state that infographics consisting of text and visuals have a positive effect on the
development of the readers.
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INFOGRAPHICS’ DESIGN PROCESSES
Infographics make various contributions to both readers and designers. The
preparation process infographics include steps such as the use of information available,
learning new information, organizing and presenting information. Therefore, creating
infographics develops critical thinking, analysis and synthesis skills of designers and
leads to the habit of using instructional design skills (Hart 2013).
2. Method
In this study, it was aimed to present views and approaches of designers in regard with
infographics design process for educational purposes. Identification of design
approaches and design preferences of designers is quite important in terms of the use of
infographics in the teaching environments. For this purpose, the following research
questions were sought to be answered.
1. How designers perceive infographics?
a) How designers perceive infographics’ understanding of design?
b) How designers perceive design process of infographics?
c) How are the approaches of designers towards copyright rules while creating
infographics?
d) How designers perceive introduction of infographics they created?
e) How are the approaches of designers towards readability level of infographics?
f) What are the views of the designers regarding sharing infographics?
g) What are the views of the designers in regard with specifying references used to
create infographics?
h) What are the views of the designers in regard with effect of infographics on their
personal development?
2. How are the approaches of designers in the creation process of infographics?
a) What type of infographics designers prefer to design?
b) What are the most preferred structures of infographics by designers?
c) What type of visual components designers prefer using to create infographics?
d) What colours designers prefer while creating infographics?
3. What are the tendencies of designers while creating infographics?
a) What information sources designers use to create infographics?
b) Which software environments designers prefer to create infographics?
c) What points are considered by designers while determining visual themes of
infographics?
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INFOGRAPHICS’ DESIGN PROCESSES
d) What processes are followed by designers while creating infographics?
e) What is the effect of basic features of infographics on their quality?
2.1 Population/Sample
The sample of this study consists of a total of 64 second and third class students (35
female, 29 male) studying, Computer and Instructional Technologies Education
Department in Kazim Karabekir Education Faculty at Ataturk University. Convenience
sampling method was used in the study. The age of participants ranged from 20 to 28.
All participants are experiences in various types of infographics. In addition, all
participants have the skills and experience to prepare teaching materials. Therefore,
participants included in the study were defined as designers.
2.2 Limitations of the Study
This study is limited to the students of Computer and Instructional Technologies
Department and designed educational infographics.
2.3 Research Model
In this study, one group posttest design, which is one of the quantitative research
designs, was used. In this method, measurement is made after applying the test on a
single group (Jhonson and Christensen 2014). The study was lasted for 25 weeks in
order to introduce infographics to designers and form real approaches in the
preparation of infographics. In the first three weeks of the study, designers were
introduced with infographics. In the introduced period, they were informed about
types and specifications of infographics and ways to reach infographics and design
tools. In the following 22-week period, designers were asked to create infographics
about a certain subject for various educational purposes. Each designer has created at
least 11 infographics. Designers were free to review the literature, presenting the
content and design of infographics.
2.4 Data Collection Tool
Data collection tool consists of three sections. The first section containing four questions
collect demographic information of designers. In the second section, the Infographic
Designer Opinion Questionnaire, which was developed by Yildirim, Yildirim and Celik
(2015), was used. The reliability coefficient of the questionnaire including eight factors
and 27 5-points Likert-type questions was found to be 0.772. The factors of the
questionnaire are understanding of design, design process, copyright, introduction,
readability, sharing, references and development (the reliability coefficient of the factors
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INFOGRAPHICS’ DESIGN PROCESSES
are .755, .779, .711, .675, .614, .752, .663, .564, respectively). In the third section of data
collection tool, 9 questions including grading, classification and scoring are asked in
order to present opinions, approaches, priorities of designers in regard with
infographics and tendencies of designers in terms of creating infographics.
2.5 Data Collecting and Analyzing
The data were collected in the spring semester of the 2014-2015 academic year. Printed
questionnaires were given to the designers. The data were analyzed with SPSS 18
software package. Percentage and independent samples t-test, which are descriptive
statistical methods, were used to analyze the data. The significance level was accepted
as .05. Reverse transformation of expressions was performed. In the descriptive
assessments the following categorization was used: 1.00 - 1.80: Strongly Disagree, 1.81 2.60: Disagree, 2.61 - 3.40: Rarely Agree, 3.41 - 4.20: Agree, 4.21 - 5.00: Strongly Agree. In
addition, in the assessment of factors affecting the quality, the following categorization
was used: 1.00 - 1.80: Very Low, 1.81 - 2.60: Low, 2.61 - 3.40: Moderate, 3.41 - 4.20: High,
4.21 - 5.00: Very High.
In the data collection period, designers were asked to list their opinions about
features of infographics and component and application preferences. The actual ranking
of each opinion was determined after reviewing their responses. In this process, ranking
points were determined as the number of opinion/preferences of designer used to
answer the questions. For example, in a list including 6 different views, the first view
selected was given 6 points, and the 4th view was given 3 points. In this way, the actual
ranking was determined by calculating the total score of the view.
3. Classification and Definitions Used in the Study
In this study, a variety of classifications and definitions were used for infographics. A
large part of the classification used in the study is given in the introduction.
Classifications that are not given in this section and used in the study are discussed in
this section.
Design Type: Indicates the scope of infographics. Single infographics has a
structure that transfers all information through a single infographic. Serial infographics
present all inter-related information through multiple infographics.
Direction: Indicates the reading direction of infographics. Vertical infographics
are infographics created with information to be placed on a vertical plane of content to
read from top to bottom. Horizontal infographics are the infographics created with
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INFOGRAPHICS’ DESIGN PROCESSES
placing all content on a horizontal plane in order to ensure continuity of the flow to the
right or left direction.
Colour Preference: It represents the colours used in the creation process of
infographics. Warm colours represent yellow, orange and red colours. These colours
evoke the feeling of warmth and keep the attention. They create an effect that tires the
eyes in long-term use. Cool colours are green, blue and purple. These are calming and
relaxing colours.
Visual Theme: Refers to the background, visual forms, all typographic
components forming infographics and the harmony between them.
4. Findings
In this study, the opinions of designers in regard with preparation of infographics were
discussed. All designers completed the application and they were included in the data
collection process. The findings obtained from the designers were organized according
to the research questions.
1. How designers perceive infographics?
Opinions of designers about infographics were presented by using the data obtained
from infographics designer opinions questionnaire that was given in the second section
of the data collection tool. Before the analysis, distribution of data is analyzed by the
gender variable and normal distribution was seen in both groups. Opinions of
designers were analyzed with descriptive statistical methods and independent samples
t-test was conducted to compare the results on the basis of gender variable. In the
findings, the statistically significant t-test results were presented.
a) How designers perceive infographics’ understanding of design?
In the study, opinions of designers in regard with the design of infographics
were investigated. Their opinions, which were collected with the help of 5
questionnaire expressions, are given in Table 1.
Table 1: Opinions about Understanding of Design Process
Q
Statement
Male
Std.
N
28
ത
܆
4.11
1.031
28
4.07
.716
N
4
I pay attention to make sure that the titles of
infographics are attention-grabbing.
1
I pay attention to make sure that the
Female
General
Std.
N
33
ത
܆
Std.
61
ത
܆
4.58
.502
4.36
.817
34
4.53
.563
62
4.32
.672
information given in infographics and the
visuals used to present such information are
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consistent.
2
I pay attention to make sure that I have
29
4.03
.944
33
4.36
.783
62
4.21
.871
29
4.17
.658
33
4.24
.708
62
4.21
.681
29
3.90
.860
34
4.32
.768
63
4.13
.833
prepared easily readable infographics.
5
I try to use an interesting introductory
expression in infographics.
3
In visualizing information, I try to prepare
visuals
that
will
exactly
represent
the
information presented.
As it can be seen in Table 1, there is a high level of participation in all opinions about
the understanding of design. In all responses about the understanding of design, the
average participation level of male designers is “Agree” and the average participation
level of female designers is “Strongly agree”. Designers preferred to use attentiongrabbing headlines while preparing infographics. They paid attention to the consistency
of visuals and tried to facilitate reading. In addition, they state that they used an
engaging introduction and prepared visuals that reflect the information to be given.
Views of designers in regard with understanding of design were analyzed with
independent samples t-test in terms of gender variable. The analysis results are shown
in Table 2.
Q
1
3
4
Table 2: Independent Samples t-test Results of Understanding of Design
Sex
N
ത
S
sd
t
܆
Male
28
4.07
.716
Female
34
4.53
.563
Male
29
3.90
.860
Female
34
4.32
.768
Male
28
4,11
1.031
Female
33
4.58
.502
p
60
2.818
.007
61
2.083
.041
59
2.311
.024
According to t-test results, there is a significant difference between the views of
designers in regard with information included in infographics and consistency of
visuals used to present these information in terms of the gender variable (t=2.818 p<.05).
In addition, there is a significant difference between t-test results about an item in the
questionnaire; “In visualizing information, I try to prepare visuals that will exactly
represent the information presented.” (t=2.083 p<.05). There is also a significant
difference between design concepts of the male and female participants in terms of
paying attention to create attention-grabbing headlines for infographics (t=2.311 p<.05).
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b) How designers perceive design process of infographics?
In the study, opinions of designers in regard with the design process of
infographics were investigated. The design process was discussed through four main
elements including visualizing information, finding appropriate visuals, planning the
design process and deciding about infographics. Views of the designers in regard with
the design process of infographics are given in Table 3.
Table 3: Views of the Designers in Regard with the Design Process
Q
Statement
Male
Std.
N
29
ത
܆
3.00
1.254
29
2.55
29
29
N
8
I find it hard to plan the preparation process
of infographics.
9
I find it hard to decide on how to construct
Female
General
Std.
N
35
ത
܆
64
ത
܆
2.40
1.035
2.67
1.169
1.088
35
2.29
1.073
64
2.41
1.080
2.38
1.178
35
2.17
1.200
64
2.27
1.185
2.10
1.047
33
2.27
1.180
62
2.19
1.114
Std.
infographics in the preparation process.
7
It is hard for me to find visuals suitable for
use as content when preparing infographics.
6
I find it hard to visualize information when
preparing infographics.
As it can be seen in Table 3, responses of the participants were as “Disagree”. Designers
don’t agree with the statements suggesting that visualizing information, finding
appropriate visuals, planning the design process and deciding about infographics steps
are difficult.
Views of designers in regard with design process were analyzed with
independent samples t-test in terms of gender variable. The analysis results are shown
in Table 4.
Table 4: Independent Samples t-test Results about Design Process
Q
Sex
N
8
Male
29
Female
35
ഥ
܆
S
sd
t
p
3.00
1.254
62
2.098
.040
2.40
1.035
According to t-test results, there is a significant difference between views of the
participants towards the difficulty of planning the process in terms of gender variable
(t=2.098 p<.05).
c) How are the approaches of designers towards copyright rules while creating
infographics?
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In the study, opinions of designers in regard with sources and multimedia
components as well as copyright of infographics were investigated. The opinions of
designers about copyright are given in Table 5.
Table 5: Views of Designers about Copyright
Q
Statement
N
12
I prepare infographics in compliance with
I pay attention to make sure that the visuals I
Female
ഥ
܆
N
Std.
General
ഥ
܆
N
Std.
27
3.59
1.217
33
3.45
1.034
60
3.52
1.112
28
3.07
1.120
34
3.53
.992
62
3.32
1.068
29
3.28
1.192
35
3.26
1.120
64
3.27
1.144
copyrights.
10
Male
ഥ
܆
Std.
use in preparing infographics do not have
any copyright problem.
11
I publish the copyright information by using
copyright mark on the
infographics I
prepare.
As it can be seen in Table 5, designers’ state that they prepared infographics by
respecting copyright rules. However, they rarely paid attention to the copyright of the
visuals used to create infographics. They also rarely paid attention to protect copyright
of their own designs. The views of designers for copyright not a significant difference in
terms of gender variable.
d) How designers perceive introduction of infographics they created?
In the study, opinions of designers in regard with introduction their infographics
to reach the readers were investigated. The opinions of designers about introduction are
shown in Table 6.
Table 6: Views of Designers about Introduction
Q
Statement
29
4.07
.753
32
Female
ഥ
܆
Std.
3.84
1.110
61
3.95
.956
29
3.52
1.122
32
3.69
1.148
61
3.61
1.130
28
3.61
.956
29
3.52
1.271
57
3.56
1.118
N
14
I try to add keywords that convey the basic
message of the infographic.
13
I add keywords that describe the infographic
Male
ഥ
܆
Std.
N
General
ഥ
܆
N
Std.
into the title section of the page where I will
share the infographic.
15
I add the expressions that describe the
infographic into the page where I will share
the infographic.
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As it can be seen in Table 6, all participants agree with the expressions about
introduction infographics. Designers care about the use of keywords to show content
and aim of infographics. They add these keywords to both infographics and web
environments hosting these infographics. In addition, they state that they added the
texts including information provided by infographics to the webpage hosting
infographics. The views of designers for copyright not a significant difference in terms
of gender variable.
e) How are the approaches of designers towards readability level of infographics?
In the study, opinions of designers in regard with readability level of
infographics were discussed. Statements trying to organize readability level of
infographics and showing preferences of designers about readability are shown in
Table 7.
Table 7: Views of Designers about Readability Level of Infographics
Q
Statement
29
4.00
.707
Female
ഥ
܆
N
Std.
33
4.24
.561
General
ഥ
܆
N
Std.
62
4.13
.640
29
3.83
1.136
33
4.33
.816
62
4.10
1.003
29
3.83
.966
32
4.28
.683
61
4.07
.854
N
18
I design infographics in such a format that
will minimize the eye movements of readers.
17
I pay attention to make sure that the
Male
ഥ
܆
Std.
infographics I prepare have a short reading
time.
16
I design infographics in a one-dimensional
form to shorten the reading time.
As shown in Table 7, designers agree with all expressions towards readability level of
infographics. Designers state that they pay attention to the mobility of the eye of the
reader in infographics. In addition, they try to shorten the reading time by designing
the visuals.
Views of designers in regard with readability level of infographics were
analyzed with independent samples t-test in terms of gender variable. The analysis
results are shown in Table 8.
Table 8: Independent Samples t-test Results about Readability Level of Infographics
S
Sd
t
p
3.83
.966
59
2.133
.037
32
ഥ
܆
4.28
.683
Male
29
3.83
1.136
60
2.030
.047
Female
33
4.33
.816
Q
Sex
N
16
Male
29
Female
17
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According to the t-test results given in Table 8, the opinions about creating infographics
in one dimension to shorten the reading time significantly different in terms of gender
variable (t=2.133 p<.05). In addition, the opinions of designers in regard with shortening
the reading time of infographics significantly different in terms of gender variable
(t=2.030 p<.05).
f) What are the views of the designers regarding sharing infographics?
In the study, opinions of designers in regard with sharing infographics were
discussed. The responses of designers showing their opinions in regard with sharing
infographics are shown in Table 9.
Table 9: Views of Designers about Sharing Infographics
Q
Statement
29
3.69
1.198
33
Female
ഥ
܆
Std.
4.33
.692
62
4.03
1.008
29
3.66
1.143
33
3.97
1.045
62
3.82
1.094
29
3.34
1.173
34
3.65
1.228
63
3.51
1.203
29
3.03
1.085
34
3.85
.989
63
3.48
1.105
N
19
I share the infographics I prepare on social
media platforms.
20
I add social media sharing buttons into the
Male
ഥ
܆
Std.
N
General
ഥ
܆
N
Std.
infographics I prepare, so that they can be
easily shared by readers.
22
I write the website addresses where I will
publish infographics on the infographics.
21
I pay attention to make sure that the website
addresses where I will publish infographics
are simple.
As seen in Table 9, designers put social media sharing buttons on infographics to share
the information presented by these infographics. In addition, they stated that they
added the hosting website to the infographic and tried to select simple addresses.
In the study, views of designers in regard with sharing infographics were
analyzed with independent samples t-test in terms of gender variable. The analysis
results are shown in Table 10.
Table 10: Independent Samples t-test Results about Views of Designers in regard with
Sharing Infographics
S
Sd
t
P
3.69
1.198
60
2.628
.011
33
ഥ
܆
4.33
.692
Male
29
3,03
1.085
61
3.131
.003
Female
34
3.85
.989
Q
Sex
N
19
Male
29
Female
21
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According to the t-test results shown in Table 10, female designers significantly
different from male designers in terms of sharing infographics through social media
channels (t=2.628 p<.05). In addition, female designers significantly different from male
designers in terms of using simple website domain names (t=3.131 p<.05).
g) What are the views of the designers in regard with specifying references used to
create infographics?
In the study, opinions of designers in regard with specifying references used to
create infographics were discussed. The responses of designers in regard with
specifying references are given in Table 11.
Table 11: Opinions of Designers in Regard with Specifying References
Q
Statement
29
3.72
1.131
33
Female
ഥ
܆
Std.
3.73
1.069
General
ഥ
܆
N
Std.
62
3.73
1.089
29
3.69
1.198
35
3.51
1.147
64
3.59
1.165
N
23
I indicate in the references section the
sources of information I have used in
Male
ഥ
܆
Std.
N
designing infographics.
24
I indicate the source references on my
infographics.
As it can be seen in Table 11, the sources used by designers to create infographics are
shown in the references section of the study. In addition, designers state that they have
given references. There is no significant difference between views of the participants in
regard with specifying the sources in terms of gender variable.
h) What are the views of the designers in regard with effect of infographics on their
personal development?
In the study, opinions of designers in regard with effect of infographics on their
personal development were discussed. The responses of designers in regard with effect
of infographics on their personal development are given in Table 12.
Table 12: Opinions of Designers in Regard with Effect of Infographics on Their
Personal Development
Q
Statement
29
Male
ഥ
܆
Std.
4.07
.884
Female
ഥ
܆
N
Std.
35
4.60
.497
64
4.36
.743
29
3.93
.799
35
4.29
.750
64
4.13
.787
N
26
My skills in associating different pieces of
information with each other have improved
General
ഥ
܆
N
Std.
through the design of infographics.
27
I have acquired more information on the subject
through the design of infographics.
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25
My
computational
thinking
skills
have
29
3.62
.903
35
3.94
.968
64
3.80
.946
improved through the design of infographics
As shown in Table 12, designers think that their ability to create relationships between
information develops. Although arithmetic mean of female designers is higher than
arithmetic mean of male designers, there was no statistically significant difference
between them. Designers state that creating infographics positively affect their
computational thinking skills.
In the study, views of designers in regard with effect of infographics on their
personal development were analyzed with independent samples t-test in terms of
gender variable. The analysis results are shown in Table 13.
Table 13: Independent Samples T-Test Results about Views of Designers in Regard with Effect
of Infographics on Their Personal Development
Q
Sex
N
27
Male
29
Female
35
ഥ
܆
S
Sd
t
p
3.93
.799
62
3.027
.004
4.29
.750
According to the t-test results shown in Table 13, female designers significantly
different from male designers in terms of being informed about the subject of the
infographics to be created (t=3.027 p<.05).
2. How are the approaches of designers in the creation process of infographics?
In this section, approaches of designers in the creation process of infographics were
discussed. The approaches of designers in the creation process of infographics were
obtained by open-ended questions, order of preferences and impact scoring.
a) What type of infographics designers prefer to design?
In the study, designers were asked to list the type of infographics they prefer to create
in an order. Designers listed 6 different types of infographics (static, zooming, clickable,
animated, video and interactive) in an order. Results are shown in Table 14.
Table 14: The Types of Infographics Preferred by Designers
Place
Male
Female
Form
Score
Form
Score
1
Interactive
125
Animated
140
2
Animated
112
Interactive
132
3
Video
106
Video
130
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4
Clickable
95
Clickable
107
5
Static
94
Static
97
6
Zooming
78
Zooming
79
As shown in Table 14, interactive and animated infographics are the most preferred
infographics by designers. Male designers mostly prefer to create interactive
infographics while female designers mostly prefer to create animated infographics. In
addition, video infographics is another type preferred by the designers frequently. The
least preferred infographics are clickable, static and zooming infographics. The order of
preference for these four types is same for all designers.
b) What are the most preferred structures of infographics by designers?
In the study, the multiple choices of designers for the most preferred infographic
structures are determined by three main criteria as the shape, type and position of the
design. The type of design is categorized as single or serial; the type is categorized as
interactive or non-interactive; and the position is categorized as vertical or horizontal.
Designers selected one or multiple categories to show their preferences. The responses
of designers were considered in terms of gender variable and shown in Table 15.
Table 15: The Most Preferred Infographic Structure
Sex
Design Type
Single
Serial
Form
Non-interactive
Direction
Interactive
Horizontal
Vertical
Male
19
12
7
21
4
11
Female
25
9
1
28
0
24
General
44
21
8
49
4
35
As seen in Table 15, both preferences of male and female designers are parallel to each
other. Designers prefer to create infographics with a single structure. The majority of
the designers prefer to create interactive infographics. In addition, they often prefer to
create infographics in the vertical form.
c) What type of visual components designers prefer using to create infographics?
In the study, the visual components used by designers to create infographics
were discussed. Their preference of using two-dimensional visual components such as
images, diagrams, drawings etc. to create infographics was investigated. Preferences of
designers are shown in Table 16.
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Table 16: Visual Components Used in Infographics
Place
Male
Female
Component
Score
Component
Score
1
Graphic
171
Picture
197
2
Picture
161
Graphic
177
3
Drawing
107
Diagram
155
4
Diagram
100
Drawing
120
5
Map
96
Text
103
6
Text
91
Table
102
7
Table
86
Map
99
As seen in Table 16, the orders of preference of male and female designers in terms of
visual components they use to create infographics are completely different from each
other. Pictures and graphics are the most preferred visual components. In addition,
drawings and diagrams are also in the upper section of the preference ranking among
visual components. The least preferred components are maps, texts and tables.
d) What colours designers prefer while creating infographics?
In the study, the colour preferences of designer in the creation process of
infographics were discussed. Their colour preferences were investigated as warm and
cool colours. Their colour preferences were ranked according to the use of these colours
in infographics. Preferences of designers are shown in Table 17.
Table 17: Warm-Cool Colour Preferences
Warm Colours (Yellow, Orange, Red)
Cool Colours (Green, Blue, Purple)
Men
Place
Choice
Score
Place
Choice
Score
1
Pay attention
110
1
Text
79
2
Emphasize
91
2
Representation of the relationships
75
3
Visualizations (Shape, etc.)
82
3
Background
71
4
Background
81
4
Visualizations (Shape, etc.)
61
5
Text
53
5
Emphasize
49
6
Representation of the relationships
49
6
Pay attention
33
Women
Place
Choice
Score
Place
Choice
Score
1
Visualizations (Shape, etc.)
142
1
Text
119
2
Pay attention
93
2
Background
86
3
Emphasize
89
3
Representation of the relationships
83
4
Background
88
4
Visualizations (Shape, etc.)
65
5
Text
67
5
Pay attention
64
6
Representation of the relationships
60
6
Emphasize
58
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As shown in Table 17, visual objects such as figures, drawings are created with warm
colours. In addition, designers prefer warm colours in order to draw the attention of
readers and highlight the content. Cool colours are preferred in texts, representation of
the relationships and in the background. The rankings of both warm and cool colour
preferences differentiate between male and female designers.
3. What are the tendencies of designers while creating infographics?
In the study, tendencies of designers in the creation process of infographics were
discussed. Trends were investigated in terms of source selection, production
environment, the choice of theme, design processes and quality perceptions.
a) What information sources designers use to create infographics?
In the study, information sources designers use to create infographics were
discussed. Designers listed environments they use to create infographics in an order.
Information source preferences of designers are shown in Table 18.
Table 18: Information Sources Used to Create Infographics
Place
Male
Female
Source
Score
Source
Score
1
Infographics
174
Web pages
239
2
Web pages
167
Learning materials
199
3
Learning materials
152
Infographics
192
4
Statistic databases
118
Scientific article/report
165
5
Scientific article/ report
116
Statistic databases
146
6
Textbooks
115
Textbooks
145
7
Newspaper/ Magazine
109
Newspaper/ Magazine
89
As it can be seen in Table 18, designers mostly use infographics, web pages and
learning materials while creating infographics. The most preferred information sources
of male designers are infographics in the process of creating infographics. On the other
hand, infographics is the 3rd source of information for female designers. In addition,
designers put information sources such as articles, reports and similar publications as
well as statistical databases into the middle of the list. The least preferred information
sources are textbooks, newspapers and magazines.
b) Which software environments designers prefer to create infographics?
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In the study, software environments preferred by designers to create
infographics were investigated. Preferences of designers are shown in Table 19.
Table 19: The Environments Preferred by Designers to Create Infographics
Place
Male
Female
Environment
1
Web
based
infographic
design
Score
Environment
136
Web
platforms
based
Score
infographic
design
165
platforms
2
Visual design software
129
Visual design software
162
3
Desktop infographic design software
113
Desktop infographic design software
128
4
Shape/icon design software
96
Shape/icon design software
122
5
Text design software
77
Text design software
99
6
Others
37
Others
39
As shown in Table 19, preferences of both male and female designers are consistent
with each other. Designers prefer design platforms in the web environment to produce
infographics. In addition, visual design programs installed in computers and
infographics design environments are often preferred by designers. Shape/icon
programs and text design environments are less preferred compared to other programs.
In addition, various animation, video and interactive content creation programs are
used by some designers.
c) What points are considered by designers while determining visual themes of
infographics?
In the study, the important points that are considered by designers while
determining visual themes of infographics were discussed. Their visual theme
preferences are shown in Table 20.
Table 20: The Important Points Considered While Determining Visual Themes
Place
Male
Female
Factor
Score
Factor
Score
1
Conformity of subject
63
Information amount
70
2
Information amount
58
Relations between information
70
3
Target group
54
Conformity of subject
63
4
Relations between information
51
Instructional design principles
56
5
Instructional design principles
29
Target group
39
As it can be seen in Table 20, the visual theme preferences differentiate between male
and female designers. Male designers determine visual themes by taking conformity
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with the subject, amount of information and the target audience into account. Relations
between information and instructional design principles are the least considered points
by male designers while determining visual themes. Female designers determine visual
themes by taking the amount of information, relations between information and
conformity with the subject into account. The target audience is the east considered
points by female designers while determining visual themes.
d) What processes are followed by designers while creating infographics?
In the study, the processes followed by designers while creating infographics
and order of these processes were discussed. The processes followed by designers while
creating infographics and order of these processes are given in Table 21.
Table 21: Preparation Processes of Infographics
Place
Male
Female
Process
Score
Process
Score
1
Research of subject
187
Research of subject
159
2
Preparation of presentation scenario
150
Preparation of presentation scenario
125
3
Decide base design components
149
Decide base design components
123
4
Identification of information
125
Identification of information
101
importance level
importance level
5
Design procedures of readers’ attention
125
Design procedures of readers’ attention
97
6
Set up relations between information
108
Set up relations between information
94
7
Preparing text
106
Making visualizations
72
8
Making visualizations
94
Preparing slogan
65
9
Preparing slogan
77
Preparing text
60
10
Compound all design components
46
Compound all design components
29
As shown in Table 21, designers began the process of creating infographics with
acquiring the relevant information. Then, they focus on information and presentation
scenarios to be presented. Finally, they bring all the components of infographics
together. Male and female designers follow different paths from each other in the
process of merging components of infographics. Male designers prepare texts, visuals
and slogan after establishing the relationship between information, whereas female
designers prepare visuals, slogan and texts after establishing the relationship between
information.
e) What is the effect of basic features of infographics on their quality?
In the study, designers were asked to rate the degree of effect of basic features of
infographics on their quality. The scoring was between 0 and 5. Features were divided
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into 7 categories as follows; visual quality, the level of information visualization,
information quality, information-visual consistency, typographic features, sources used
and person or institution prepared. The views of designers are shown in Table 22.
Table 22: The Effect of Features of Infographics on Their Quality
Male
Female
Place
Feature
Effect Level
Place
Feature
Effect Level
1
Information-visual
4,67
1
Visual quality
4,79
consistency
2
Very
High
Visual quality
4,62
Very
High
2
High
3
Information quality
4,48
Very
Information-visual
4,58
consistency
3
Level
of
information
4,29
visualization
5
Typographic features
Very
Information quality
4,58
High
Very
High
4
High
3,86
Very
High
High
4
Very
Level
of
information
4,54
visualization
5
Typographic features
Very
High
4,38
Very
High
6
Resources
3,67
High
6
7
Designer
3,43
High
7
Designer
4,04
High
3,87
High
person/organization
Resources
person/organization
As shown in Table 22, the views of male and female designers differentiate in terms of
effect of features of infographics on their quality. However, visual quality, informationvisual consistency and quality of information stands out as the components that are
considered to have the highest effect on the quality of infographics. Aim and
information visualization levels are also considered to be affecting the quality of
infographics by both male and female designers. In addition, the average effect of these
components is very high. The least important features are found to be typographic
features, sources used and person or institution prepared the infographics.
5. Discussion
This study aims to present views and approaches of designers in regard with
infographics design process for educational purposes. In this study, views, approaches
and tendencies of designers in regard with infographics design process for educational
purposes are presented.
Designers prepare interesting expressions for infographics. They may want to
attract attention, interest and curiosity of the readers and make them feel to read the
infographics by using these expressions. Similarly, Lankow, Ritchie and Crooks (2012)
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state that infographics are prepared for purposes such as presenting information,
grabbing attention and publicity. Designers prepare infographics in a form that is easy
to read, because they don’t want readers to expose to high cognitive load. Infographics
can provide excessive levels of information through different transmission tools of
multimedia elements containing multiple components. This excessive information can
make it difficult to learn because of limited capacity and knowledge that can be
processed (Mayer and Moreno 2003). As it stated in the literature, heavy cognitive load
makes it difficult to learn and detect links in content (Sweller 1994). Designers are
careful to add attention-grabbing headlines in infographics. Lamb and Jhonson (2014)
state that infographics should have introductory headlines. Female designers show
more attention to the use of attention-grabbing headlines, because they may want their
infographics to come to people's attention among other infographics. According to
Krum (2013), readers care about headlines since they don’t want to waste their time and
go over irrelevant infographics. Fleming and Levie (1993) state that headlines enable
readers to notice the content of infographics at first glance. Visualizations should be
made in accordance with accurate design rules in order to make information easy to
follow and more understandable (DeCarlo and Stone 2013). With this understanding,
designers pay attention to the consistency of visuals used to demonstrate information in
a consistent manner. However, female give more importance to the consistency of
visuals and they spend more effort to create more consistent content. This can be
interpreted that female designers care about multimedia design principles more than
male designers.
Designers believe that it is easy to prepare infographics. This may be due to their
experience in material design and creating infographics. Their experience level may
facilitate the learning processes and apply information. Kalyuga, Ayres, Chandler and
Sweller (2003) suggest that experience level of learners brings the expanded scheme to
memory in order to organize the existing knowledge. Since this allows easy adaptation
of designers to the process, it can explain the positive feelings. Female designers think
that planning creation process of infographics is easy. This may be due to more use of
the ability to create plan processes by female designers compared to male designers. In
line with this statement, Borun, Schaller, Chambers and Allison Bunnell (2010) indicate
that female designers prefer to design through online training activities. However,
Nuhoğlu Kibar and Akkoyunlu (2015) state that visualization process is very difficult
for learners designing infographics.
Designers create infographics by respecting copyright rules. Because they may
not want to face legal sanctions because of the content and information used in the
infographics they produced. In addition, they may be respectful to copyrights due to
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their ethical values. Golombisky and Hagen (2013) recommend designers to show the
necessary sensitivity to copyright rules while preparing the content of infographics.
However, designers do not show the similar care to the copyright of the visuals they
used to create infographics. This may be explained by that the visuals used by designers
may not have protection of copyright, they may be free of copyright or open to the use
of the public. Similarly, Rockenbach and Fabian (2008) state that although copyright of
the visual materials is often discussed, the legal documentation is not very well done.
Royalty free approach predicts applications and contents to be accessed unlimitedly
and freely (Eby 2013). In addition, the unique way of designing visuals to be used in
infographics can be effective in this situation. Designers rarely apply for copyright
protection for infographics they created. This may be due to that they produce
infographics open to the public, adopt royalty-free approach and they don’t have
commercial concerns. However, Siricharoen (2013) states that copyright and all rights in
infographics should be indicated clearly.
Designers give importance to the introduction of infographics. Because they
probably want to attract the attention of potential readers. Designers create keywords to
show content and aim of infographics and use these keywords on the web. This may be
due to that they want their infographics to be easily identified and found in the web
environment. Hattwig, Bussert, Medaille and Burgess (2012) indicate that learners use
search engines to search the visual materials and often make text-based searches.
Designers prepare identifier texts to the web pages hosting infographics. Designers may
want readers to be aware of the contents of infographics and facilitate selection process
of infographics. Similarly, Hattwig, Bussert, Medaille and Burgess (2012) state that texts
may be needed for learners in order to explain the meaning of visuals used in
infographics. Descriptive text can be seen as an effective way to provide supplementary
information which couldn’t be transferred through infographics.
The main purpose of visualizing the data is helping people understand the data
(Phetteplace 2012). Designers take the necessary measures to maintain a high level of
readability of infographics. They try to guide eye movements of readers on infographics
by their design preferences. Designers may want readers to follow a certain path they
want. However, Halsanova, Holmberg and Holmquist (2005) state that the number of
integrative eye movements does not explain infographics and text-visual integration by
itself. Readability of infographics is more important to female designers compared to
male designers. Female designers want reading time of infographics shorter than male
designers do. This may be because they don’t want to bore the reader and give the main
message without losing the attractiveness of infographics. Halsanova, Holmberg and
Holmquist (2005) indicate that infographics integrated into text lead to less eye
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movement compared to the separate ones and this prolongs the process of reading for
newspaper readers. This shows that infographics make readers focusing on the content
as a whole and come forward if they are presented as integrated to the text. In addition,
female designers significantly differentiate from male designers in terms of creating
infographics in one dimension to shorten the reading time. Because female designers
want their readers to focus on the content only. Similarly, Lamb and Jhonson (2014)
suggest that infographics should be created to encourage the reading.
Designers take all necessary measures to ensure the sharing of infographics and
share their infographics via social media and add social media sharing buttons attached
to infographics. Because they want infographics to be shared in an easy and quick way.
Similarly, Davis and Quinn (2014) state that infographics are easy to share and allow
their readers to learn and communicate in cooperation. However, there is a significant
difference in favor of female designers in sharing infographics via social media. This
may be explained by female's social media sharing habits. In addition, they are more
confident about their infographics and want to reach more people. Designers put
sharing addresses of infographics on infographics. They want readers to identify the
original source of infographics and facilitate the access of other contents in this source.
Female designers choose simpler domain names to share infographics they produce
compared to male designers. Because female designers prefer simpler and easier access.
Designers present sources used in infographics and give references of the
sources. Because they try to increase the level of credibility of infographics. Similarly,
according to Krum (2013), infographics without references are not found convincing by
readers. In addition they may want to provide easy access to readers if they want to see
the original source of information. Similarly, according to the earlier studies in the
literature, references should be given in order to meet the additional information
demand of readers (Lamb and Jhonson 2014; Golombisky and Hagen 2013).
Designers think that they are informed about the subject of the infographics they
prepare. Because they spend mental effort to create infographics. Interpretation of
infographics, which is an activity performed with mental effort, improves visualization
skills of learners and increases the probability of reaching the desired outcomes
(Saurbier 2014). In addition, there is a significant difference in favor of female designers
in terms of having information on the subject. This may be due to the process of
creating knowledge by female designers. Grimley (2007) states that female need better
materials to improve outcomes of the learning process. Vanichvasin (2013) indicates
that infographics ensure awareness of the readers and make it easier to remember,
while Zinonyev (2010) suggests that visualization facilitates the analysis of the message
given in infographics and help readers to remember. In this regard, the effort spent on
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visualization and production has a positive impact on learning and increased level of
visual literacy of designers. Visual literacy contributes to the integrative learning of
learners (Little, Felten and Berry 2010). Designers consider that creating infographics
develops skills of establishing relationships between data and numerical thinking. This
may be due to the effort spent on presenting information in a simpler and logical way.
Similarly, Hattwig, Bussert, Medaille and Burgess (2012) state that producing visual
products contributes to students’ skills such as critical thinking, interpretation,
evaluation and making selection between visual presentation ideas.
Designers mostly prefer to create interactive or animated infographics. The
common feature of these infographics is providing additional information for readers
who want to learn more. Because interactive or animated infographics offer more
information to the reader and allow them to make comparisons if they need more
detailed explanations about the information presented in infographics. According to
Flemming and Levie (1993), interacting with educational messages for the realization of
learning has a positive impacts on learning. Male designers prefer interactive
infographics because they may want to offer a structure that can analyze different
situations. On the other hand, female designers prefer to create animated infographics
because they may want to present information without details. Video infographics are
also often preferred by designers. Video infographics help designers to present
information with no unnecessary details. One of the important features of infographics
is being understandable by the reader without looking to external sources (Toth 2013).
In addition, designers’ wishes to address the learning habits of readers may be another
reason of this. As it is known, videos are often used in the classroom environment and
considered to be one of the components positively affecting success of learners (Merkt,
Weigand, Heier and Schwan 2011). Clickable infographics is one of the least preferred
infographics that provide external information. Because readers can move away from
the main subject when they use clickable infographics. Mayer (2001) suggests that the
negativity caused by realization of information processing in different times can be
eliminated by presenting information and visuals close to each other (spatial
proximity). The least preferred infographics are static and zooming infographics.
Because these infographics cannot store more information and need different
environments in order to transmit external information.
Designers prefer to produce infographics within a single structure. Because they
want to present information as a whole. Similarly, infographics integrated into text and
transmitting all dimensions attract long-term and in-depth attention of readers
(Halsanova, Holmberg and Holmquist 2005). Designers prefer to prepare interactive
infographics. This may be due to the request to produce infographics that will appeal to
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different needs of readers. Designers prefer to design infographics on vertical form and
appropriate to the presentation of information. Because readers want a presentation
form that is suitable for their reading habits. Krum (2013) states that infographics in
vertical graphical layout is more often preferred by readers. In addition, possible
readers don’t prefer using vertical scrolling option of infographics. Moss and Gunn
(2007) reported that designers prefer vertical layout structure on web pages and this is
not differentiated in terms of gender of designers.
The components most frequently used by both male and female designers in the
creation of infographics are graphics and pictures. Because designers want to present
information in an integrated form with all the details. Fleming and Levie (1993) states
that visual quality and visualization are very important to the transfer of information.
Graphics stand out as the key component in the designs of male designers, while
images stand out as the key component in the designs of female designers due to their
design approaches and desire to leave a lasting impression. Designers often prefer the
drawings and diagrams in infographics. Since drawings and diagrams can present
information in a simple, organized and comparable form, they may be often preferred
by designers. Similarly, the drawings are recommended for further use in the teaching
materials because they contain less detail (Fleming and Levie 1993). Maps, texts and
tables are least preferred by male designers while creating infographics. Maps are rarely
preferred by designers because they may be associated with geographic designs
focusing on a certain area. On the other hand, tables are the least preferred components
to be used in infographics by male designers because they desire to provide information
in a more visual form. This conclusion is also supported by the fact that they mostly use
graphics in their designs. Fleming and Levie (1993) indicate that visuals are more
permanent and well-prepared visuals have positive impacts on the cognitive processes
of the learners. Maps are the least preferred components to be used in infographics by
female designers. Because maps can be used for a certain geographic area and female
designers have a tendency of providing similar details through photographs. Borkin,
Vo, Bylinskii, Isola, Sunkavalli, Oliva and Pfister (2013) state that the best-remembered
visualizations are the objects and environmental characteristics reflecting the reality
better than others. Texts with less visual power are less preferred by designers
compared to other components in the creation of infographics. Because designers
consider texts as supporting components. Similarly, Toth (2013) indicates that visuals
are more effective on senses and they are more remembered compared to texts and
integration of texts and visuals is a fast and efficient way to transfer complex
information.
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Colour preferences of both male and female designers are similar to each other.
Designers use warm colours (yellow, orange, red) in order to draw attention of readers
to the content about figures, drawings and similar visual objects and highlight these
objects. This shows that designers use warm colours to highlight the important content
and grab attention of readers on a certain point they want. Colours used in the process
of visualization and shapes familiar to readers increase memorability (Michelle, Azalea,
Zoya, Phillip, Shashank, Aude and Hanspeter 2013). Cool colours (green, blue, purple)
are preferred by designers in the representation of the relationships, colouring texts and
backgrounds. Because designers want to create elements supporting the content and
don’t want readers to focus on certain objects. The contrast created by warm and cool
colours may positively affect the effectiveness of the information to be transmitted
(Dursun and Odabasi 2011). Using warm (red) and cool (green) colours on different
components of infographics allows colour-blind to easily use these infographics. Hart
(2013) and Holtze (2006) suggest colour-blind to be considered while creating
infographics and these colours should be less used by designers.
The information sources used by designers while creating infographics
differentiate from each other. The most preferred sources used by male designers in the
creation process of infographics are other infographics. Because they want to reach
organized information and investigate understanding of other designers regarding the
subject. Well prepared infographics are seen among effective teaching materials (Davis
and Quinn 2014). Other infographics are the 3rd preferred information sources used by
female designers in the process of creating infographics. Lamb, Polman, Newman and
Smith (2014) noted that infographics are preferable as much as other teaching materials
to learn something. Webpages are the most preferred information sources by female
designers while creating infographics. Webpages are frequently used by male designers
as well. Easy access, variety and availability of information may lead designers to use
these information sources. This is also supported by the fact that printed materials such
as textbooks, newspaper/magazines are the least preferred materials by both male and
female designers while creating infographics. Teaching materials are among the top
information sources used by both male and female designers. Because these materials
are produced for teaching purposes and the information obtained from these sources
may require less time and effort to organize. Both male and female designers prefer
using statistical databases and scientific papers/reports at a moderate level. This shows
that designers trust these sources. However, these sources are less preferred by
designers because they have to spend more time and effort to organize information
obtained from these sources. Similarly, Flemming and Levie (1993) indicate that sources
with higher reliability are more convincing to learners.
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In the process of creating infographics, environment preferences of both male
and female designers are same. Designers mostly prefer using web-based infographic
design environments in the process of creating infographics. Web-based environments
are the first choice of designers, because web-based infographic design environments
offer all components needed to create infographics with a variety of collections
(Yildirim, Yildirim, Celik and Aydin 2014), they are created especially for creation of
infographics and contain various design tools. Visual design programs are the secondpreferred environment by designers while creating infographics. Because Indesign,
Photoshop and similar programs allow designers to create visuals in the desired size
and add interaction to these visuals. In addition, designers use these programs due to
their past experiences and program using skills. Desktop infographic design programs
are other design environments preferred by designers. Since these programs contain all
the elements needed to create infographics, they are preferred by designers. In addition,
designers use utility programs in the creation of infographics to create shapes, icons and
texts. Since these components are used when ready-made components don’t meet needs
of the designer, they may be less preferred by designers compared to other
environments. In addition, animation, video and interacted content creation programs
may also be less preferred by designers due to similar reasons.
Male and female designers use different criteria in determining the visual themes
of infographics. The most important criterion for male designers is selecting an
appropriate theme for the subject. Because they prioritize the supportive power of
themes. However, appropriate theme for the subject is the 3rd important criterion for
female designers. The most important criteria for female designers are the amount of
information and relationships between information. This suggests that female designers
adopt a structure that will facilitate the presentation of information. This conclusion is
supported by the fact that appropriate theme for the subject is the 3rd important
criterion for female designers. Male designers give priority to the amount of
information and target audience while determining the theme. This shows that male
designers make their decisions in a wide range by considering the amount of
information and target audience in addition to the subject. On the other hand, the least
preferred criterion by female designers is the target audience because they focus on the
transfer of content to the readers. Instructional design principles are seen as one of the
least considered criteria in the theme selection. Because designers may think that the
impact of themes selected in accordance with characteristics of information and target
audience would be enough.
The processes followed by both male and female designers in the process of
creating infographics are similar to each other in the analysis and design stages. Similar
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to the instructional design process, designers investigate the subject, decide on the
information offered and presentation type of these information, present the basic design
concept, determine the importance level of information, identify strategies needed to
manage the attention of the readers and establish the relationship between information
in the process of creating infographics. This suggests that male and female designers
transfer instructional design processes into the creation process of infographics. As
stated by Krasuss (2012), approaches of designers are consistent with basic processes of
creating infographics. Male and female designers produce components of infographics
with different sorts in the creation process of infographics. Male designers prepare
texts, visuals and slogan after establishing the relationship between information,
whereas female designers prepare visuals, slogan and texts after establishing the
relationship between information. This shows that designers have different focuses.
This may be a reflection of the content development approach. According to Moss and
Gunn (2007) and Moss and Gunn (2009), typographic structure, content and layout
structures differentiate at various points in the website production approaches of male
and female designers.
The rankings of features that affect the quality of the infographics and efficiency
of these features are similar for both male and female designers. According to both male
and female designers, the quality of visuals, information-visual consistency, quality
information and visualization of information are the most important factors affecting
the quality of infographics. Because designers think that quality information and
information-visual consistency is essential for infographics. Similarly, Krum (2013)
noted that readers of infographics expect to see visualization for a faster learning and
less text in infographics. Male designers consider that visualization level of information
affect the quality of infographics at a very high level, whereas female designers think
that visualization level of information affect the quality of infographics at a high level.
This suggests that male designers consider infographics as a whole. Two features with
lowest effect on the quality of infographics are considered as sources utilized and the
person or institution prepared these sources by both male and female designers. They
give high scores to these two features. Because the quality of information presented by
infographics is more important than the person and institution presented this
information.
6. Conclusion and Recommendations
This study reveals the perceptions of designers, who design infographics for
instructional purposes, towards infographics and creation approaches. According to the
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results of the study, approaches of designers towards the creation process of
infographics differ on many points by gender. However, designers exhibit similar
approaches in terms of basic production processes and creation steps of infographics.
Designers are striving to make infographics they create readable. They try to create
attractive promotional statements and get high-level readability. Female designers
spend more effort on readability level of infographics. At this point, female designers
prefer using one-dimensional designs in order to shorten the reading time of
infographics they created. Visual-information consistency is considered as another
factor affecting the quality of infographics by designers. However, female designers pay
much more attention on visual-information consistency compared to male designers.
The quality understanding of both male and female designers is similar to each other.
According to the quality understanding of designers, the factors increasing quality of
infographics are visual quality, visual-information consistency, quality of information
and visualization level of information.
Designers think that it is easy to create infographics. They have the perception
that planning the creation process of infographics is simple. This perception seems
much more in female designers. Designers think that creating infographics have
positive impacts on their knowledge levels, establishing relationships between
information and computational thinking skills. Female designers believe that creating
infographics in a certain subject contribute to themselves in terms of being informed
about the subject.
Designers spend efforts for the introduction of infographics. Designers use
interesting headlines for infographics. Female designers are more sensitive in finding
attractive and interesting headlines. They share informative texts and keywords that
will promote infographics in the web environment. They benefit from social media to
facilitate sharing. Female designers use social media channels more than male designers
to share information about their infographics. In addition, designers add social media
sharing buttons attached to infographics for their readers to share the content with
others. Designers put sharing addresses of infographics on infographics. Female
designers choose simpler domain names to share infographics they produce compared
to male designers.
Designers prefer single, interactive infographics with a vertical layout as the
ideal structure of infographics. The general tendency of designers is creating
infographics with a structure that offer external information to the reader without
getting away from the infographic. However, male designers prefer designing
interactive infographics at most, whereas female designers prefer designing animated
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infographics. Static and zooming infographics are the least preferred types. Designers
keep visual components at the forefront in the creation process of infographics.
Graphics are the most important components for male designers, while pictures are the
most important components for female designers. Drawings and diagrams are also seen
as very important design components for both designer group. Web pages, teaching
materials and graphics are the most preferred sources of information. Male designers
prefer using other infographics as their information source while webpages are more
preferred by female designers. Warm colours are used for basic components of
infographics and cool colours are used for complementary elements such as text,
background and relationships between information. Many sources of information are
used by designers in the creation process of infographics.
Designers follow similar steps in the creation process of infographics as in the
introduction process of other teaching materials. The single difference between male
and female designers is the order of steps followed to produce components. Female
designers firstly prepare visuals, whereas male designers firstly prepare texts to be used
in infographics. Designers have similar environment preferences in the creation process
of infographics. Web environments and visual design programs developed especially
for creating infographics are the most preferred environments by designers. Visual
theme determination of designers differentiate from each other. The most important
criterion for male designers is selecting an appropriate theme for the subject while
female designers focus on the amount of information and target audience. Designers try
to respect the copyrights when creating infographics. However, they rarely paid
attention to the copyright of the visuals used to create infographics. They also rarely
paid attention to protect copyright of their own infographics. In addition, they give the
information sources used to create infographics.
This study was conducted with a total of 64 students, who have teaching
material design experience, determined with appropriate sampling strategies by using
posttest design with a single group, which is one of the poor experimental designs. This
group may not be sufficient to present views of all designers. However, this study will
provide useful information to understand designers who develop materials for teaching
purposes. Knowing designer approaches and creation approaches of infographics,
which is becoming more widespread in the teaching environments, may contribute to
establish a common approach suitable for learners and needs in the educational
environments. Inclusion of all design structures in the study may provide guidance for
future studies in terms of creating an overview in the subject. Conducting further
studies analyzing approaches of designers over their products or showing their
approaches according to their behaviours in the process of production would be useful
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to evaluate the approaches presented in the study. Similar studies to be conducted with
different designer groups can make the results of this study more effective and
comparable.
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