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LITERATURE AND SEMIOTIC READINGS IN FILM ADAPTATION: VERGILIO FERREIRA’S NOVEL MANHÃ SUBMERSA


 
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1. Title Title of document LITERATURE AND SEMIOTIC READINGS IN FILM ADAPTATION: VERGILIO FERREIRA’S NOVEL MANHÃ SUBMERSA
 
2. Creator Author's name, affiliation, country Luis Cardoso; Polytechnic Institute of Portalegre, Centre for Comparative Studies, University of Lisbon Portugal
 
3. Subject Discipline(s)
 
3. Subject Keyword(s) Portuguese literature, Vergílio Ferreira, Manhã Submersa, adaptation, cinema
 
4. Description Abstract

With the publication of the novel Manhã Submersa, writer Vergílio Ferreira highlights a clear separation between his neo-realistic past and adherence to the characteristics of Malraux, Camus and Sartre's Existentialism. His writing, centered on the concept of 'problem romance', becomes even more complex, philosophical, and self-centered. The director Lauro António decided to adapt this novel but had the close complicity of the writer, which is revealed even in his participation in the film as an actor. From novel to film, the director's semiotic options are clear, while maintaining a link to the original text, separating themselves from literature and creating an independent aesthetic object.

 

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5. Publisher Organizing agency, location Open Access Publishing Group
 
6. Contributor Sponsor(s)
 
7. Date (YYYY-MM-DD) 2019-12-22
 
8. Type Status & genre Peer-reviewed Article
 
8. Type Type
 
9. Format File format PDF
 
10. Identifier Uniform Resource Identifier https://oapub.org/lit/index.php/EJLLL/article/view/143
 
11. Source Title; vol., no. (year) European Journal of Literature, Language and Linguistics Studies; Vol 3, No 1 (2019)
 
12. Language English=en en
 
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14. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.)
 
15. Rights Copyright and permissions Copyright (c) 2019 Luis Cardoso
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