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T. S. ELIOT’S “DISORDERLY ORDER” AND THE ECHOES OF DANTE’S INFERNO


 
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1. Title Title of document T. S. ELIOT’S “DISORDERLY ORDER” AND THE ECHOES OF DANTE’S INFERNO
 
2. Creator Author's name, affiliation, country Bozica Jovic; University of East Sarajevo, Faculty of Philosophy, Bosnia and Herzegovina
 
3. Subject Discipline(s)
 
3. Subject Keyword(s) tradition, disorder, Bloom, Dante
 
4. Description Abstract How right was T. S. Eliot when he claimed to be able to truly venerate “tradition” in a largely disillusioned and traumatized Europe after the Great War? This paper opens the investigation by a comparison and apparent similarities between Harold Bloom’s conceptualization of poetic influence and those of T. S. Eliot dispersed among the body of his literary criticism. On one hand, Bloom maintains his idea of poets being out of necessity on the defensive mode when it comes to the influence, whereas T. S. Eliot tried to at the same time “embrace” the chaos of Modernism and his idea of a venerated, abstract and unchangeable “tradition”. For T. S. Eliot, the figure of Dante looms large on the European poetic horizon as a link between the present and the past. In order of illustration, the author of the paper emphasizes Eliot’s use of epigraphs or direct borrowings from Dante at the beginning of his poems as a means of the insertion of the great poet’s imagined “missing” link into the poetry of his day. Thus, Eliot’s legacy effortlessly engrafted itself onto that of his beloved poet master, Dante.

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5. Publisher Organizing agency, location Open Access Publishing Group
 
6. Contributor Sponsor(s)
 
7. Date (YYYY-MM-DD) 2021-11-08
 
8. Type Status & genre Peer-reviewed Article
 
8. Type Type
 
9. Format File format PDF
 
10. Identifier Uniform Resource Identifier https://oapub.org/lit/index.php/EJLLL/article/view/297
 
10. Identifier Digital Object Identifier (DOI) http://dx.doi.org/10.46827/ejlll.v5i3.297
 
11. Source Title; vol., no. (year) European Journal of Literature, Language and Linguistics Studies; Vol 5, No 3 (2021)
 
12. Language English=en en
 
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15. Rights Copyright and permissions Copyright (c) 2021 Bozica Jovic
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