STEREOTYPICAL PORTRAYAL OF WOMEN IN KIPSIGIS SECULAR SONGS

Judy C. Koskei, Margaret Barasa, Beatrice Manyasi

Abstract


The purpose of this study was to investigate how Kipsigis secular songs portrayed women in Chepalungu Sub County, Kenya. In spite of all the efforts that have been made to promote gender equality, gender bias is still a very big issue in Chepalungu constituency. This study adopted qualitative research paradigm. The study selected 15 Kipsigis secular songs as the unit of analysis. Analysis of data was made through use of content analysis method. Data from women was presented together with extracts from songs as per the objectives of the study. The study established that Kipsigis secular songs communicated stereotypical messages relating to women in Chepalungu Sub County. Research findings showed that songs by female composers mainly advocated for gender subversion. The study recommends that there is need for male and female artists to collaborate and compose songs that promote gender equality in the society.

 

Article visualizations:

Hit counter

DOI

Keywords


stereotypical, portrayal, women, secular, songs

Full Text:

PDF

References


Abrahamsson, B. (2011). Gender Roles in Pop Lyrics A discourse analysis of the lyrics of Lady Gaga. C-Essay, Department of Languages and Literatures/English, University of Gothenburg.

Amy, M.B. (2003). Gender Roles and Society. Maine: The University of Maine.

Barasa, M. N., & Opande, I.N. (2017). A Socio-Cultural Discourse Representation of Women in Bukusu and Gusii Proverbs. Paper Presented at Kisii University Annual Conference, 2017.

Cameron, D. (2005). Language, gender and sexuality: current issues and new directions, Applied Linguistics, 26 (4), 482-502.

Campbell, M. (2011). Rapping gender and violence? Addressing violence and gender with a content analysis of rap lyrics. MSc Thesis, University of Missouri-Kansas City.

Connell, W.R. (1996). Men and the women’s movement. In (M.F. Rogers, ed.) Multicultural Experiences, Multicultural Theories, pp. 409-415. The McGraw-Hill, New York.

Fairclough, N. (2015) Language and Power (3rd ed.). London: Routledge.

Glantz, J. (2013). Women in Popular Music Media: Empowered or Exploited? The Spectrum: A Scholars Day Journal: Vol. 2, Article 5. Available at: http://digitalcommons.brockport.edu/spectrum/vol2/iss1/5.

Ifeoma V. D. & Obinna G. U. (2015). Women in Nigerian popular music: empowered or debased? Global Journal of Arts Humanities and Social Sciences, 3(5), 35-52.

Kear, J., & Tompkins, C. (2005). Before He Cheats [Recorded by Carrie Underwood]. On Some Hearts [Digital recording]. Nashville, Tennessee: Arista.

Leith, D. (1987). The vocabulary of power, rank and status. In (B.M. Mayor & K. Pugh, eds.) Language, Communication and Education, pp. 147-152. Croom Helm, London & Sydney.

Lima, L, (2014). The representation of women in Cape Verdean music: a case study. MA Thesis, Bridgewater State University.

Mbiti, J. (1988). The role of women in African traditional religion. Cahiers des Religions Africaines, 22, 69-82.

Melakneh M. (2005). Map of African Literature. Addis Ababa: Branna Enterprise.

Monk-Turner, E. & Sylvertooth, D. (2008). Rap Music: Gender Difference in Derogatory Word Use. American Communication Journal, 10(4), 1-12.

Ndungo, C.M. (2006). The Image of Women in African Oral Literature: A Case Study of Gikuyu Oral Literature. Paper Appearing in the Gender Issues Research Report Series. No. 23. Organisation for Social Science Research in Eastern and Southern Africa.

Neff, S. (2014). Sexism across Musical Genres: A Comparison. Honors Theses. Paper 2484. Western Michigan University.

Oha, O. (1998). The semantics of female devaluation in Igbo proverbs. African Study Monographs, 19(2), 87-102.

Richards, A.R. (2012). Gender, Hegemony, and Country Music. MA Thesis, Gonzaga University.

Rogers, A. (2013). Sexism in Unexpected Places: An Analysis of Country Music Lyrics. Salem, South Carolina.

Sapiro, V. (1994). Women in American Society: An Introduction to Women’s Studies (3rd ed.). Mayfield Publishing, London.

Sen, G. & C. Grown. (1987). Development, Crises and Alternative Views: Third World Women Perspectives. London: Earthscan Publications.

Sheleme, H. C. (2010). Role of Proverbs as a Means of Constructing and Perpetuating Gender Inequality in West Shoa Oromo Culture: The Case of Tukur Enchine. M.A. Thesis, Addis Ababa University.

Talbot, M. (2014). Fictions at Work: Language and Social Practice in Fiction (2nd ed.). London: Longman.

Wambura, J. (2016). Gendered discourses in Kuria Female Circumcision Songs. Proceedings of ConSOLE XXIV, 2016, 112-133. http://www.sole.leidenuniv.nl.

Wanjiru, E., Kaburi, C., & Njogu, Z. (2015). Resistance and Subversion of Traditional Social Construction of Gender in Gikuyu Narratives, Songs and Proverbs. American International Journal of Contemporary Research, 5(3), 55-62.

Watts G. (2015). “What’s the Matter with this Man?” Locating Feminism in Blues Music. Journal of Student Research, 1(1), 1-15.

Yohannes, T. (2007). Gender Issues and Women’s Portrayal in Secular Amharic Songs Produced in Cassettes (In 1997 E.C.). MA Thesis, Addis Ababa University.


Refbacks

  • There are currently no refbacks.


Copyright (c) 2018 Judy C. Koskei, Margaret Barasa, Beatrice Manyasi

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

The research works published in this journal are free to be accessed. They can be shared (copied and redistributed in any medium or format) and\or adapted (remixed, transformed, and built upon the material for any purpose, commercially and\or not commercially) under the following terms: attribution (appropriate credit must be given indicating original authors, research work name and publication name mentioning if changes were made) and without adding additional restrictions (without restricting others from doing anything the actual license permits). Authors retain the full copyright of their published research works and cannot revoke these freedoms as long as the license terms are followed.

Copyright © 2017-2023. European Journal of Literature, Language and Linguistics Studies (ISSN 2559 - 7914 / ISSN-L 2559 - 7914). All rights reserved.


This journal is a serial publication uniquely identified by an International Standard Serial Number (ISSN) serial number certificate issued by Romanian National Library. All the research works are uniquely identified by a CrossRef DOI digital object identifier supplied by indexing and repository platforms. All the research works published on this journal are meeting the Open Access Publishing requirements and standards formulated by Budapest Open Access Initiative (2002), the Bethesda Statement on Open Access Publishing (2003) and  Berlin Declaration on Open Access to Knowledge in the Sciences and Humanities (2003) and can be freely accessed, shared, modified, distributed and used in educational, commercial and non-commercial purposes under a Creative Commons Attribution 4.0 International License. Copyrights of the published research works are retained by authors.