PROVERBIAL MATERIALS IN THE ORAL TRADITION OF THE IGBO: A STUDY OF CHINUA ACHEBE’S MAGNUM OPUS

Bawa Kammampoal

Abstract


This paper is an attempt to find proverbial materials in Achebe’s magnum opus, to interpret and analyse them. The proverb is one of the elements of folklore which permeates the literary imagination of writers. It has for that matter been extant in verbal as well as written communication between people as it provides readers, users as well as listeners with the true essence of the culture of its originating society. Understandably, the proverb is one of the main discursive segments of oral tradition from which Chinua Achebe profusely draws to negate the colonial episteme. Since proverbs are part of the daily life of the Igbo people in which their culture is expressed, the novelist uses those not only as appropriate literary devices to depict social realities but also to help record the events of the past. Thus, Achebe’s intent in using proverbs is to give to his creative impulse an accurate stamp of uniqueness, authenticity as well as identity. Achebe’s Things Fall Apart is rich in proverbial materials in its endeavour to show that in non-literate oral cultures, proverbs, songs, poems as well as sayings are not the only fundamental repository of his people’s epistemology but also act as an explanatory meta-narrative. The study is based on theoretical frameworks proposed by both Mieder (2004) and McLeod (2002). While the former states that the wisdom of proverbs has guided people in their social interactions with the cultural values it carries; the latter adopts a postcolonial stand by positing that proverbs are used to overturn the dominant ways of seeing the world and representing reality in ways which do not replicate colonialist values. This suggests on the part of the postcolonial literary theorist, a dexterous manipulation of the English language; its syntactical structure as well as its semantics to project his own culture, outlook, and worldviews. Things Fall Apart is a compelling example of such a paradigm. The findings show that proverbial materials constitute a multifunction form of folk literature premised on significant cultural linguistic products created and used in social situations for social purposes: didactic as well as a depository of culture.

 

Article visualizations:

Hit counter


Keywords


proverbial materials, imagination, culture, oral tradition, episteme, language, worldviews, magnum opus

Full Text:

PDF

References


Achebe, Chinua. (1974/1958). Things Fall Apart. New York: Anchor Books.

———. (1964). Arrow of God. London: Heinemann.

Akporobaro, F. B. O. (2004). Introduction to Africa Oral Literature. (2nd edition). Lagos: William Wilberforce Institute for African Research and Development and Princeton Publishing Corporation.

Alimi, S. A. (2012). A Study of the use of proverbs as a literary device in Achebe’s Things Fall Apart and Arrow of God. International Journal of Academic Research in Business and Social Sciences, 2(3), 121-127.

Aronson, M. (2007). “Getting to Know You: There’s More to History Than Facts and Dates.” School Library Journal. 53 (May 2007): 31.

Ashcroft, Bill, Gareth Griffiths & Helen Tiffin (1989). The Empire Writes Back: Theory and Practice in Post-Colonial Literatures. New York: Routledge.

Basgoz, I. (1993). Proverb image, proverb message, and social change. Journal of Folklore Research. 30(2/3), 127-142

Dzobo, N. K. (1992). “African Symbols and Proverbs as sources of knowledge”. In K. Wiredu, & K. Gyekye, Person and Community: Ghanaian Philosophical Studies; 1: 89-100.

Finnegan, R. (1976). Oral Literature in Africa. Oxford: Oxford University Press.

———. (1977). Oral Poetry: Its Nature, Significance and Social Context. Cambridge: Cambridge University Press.

Gikandi, S. (1991). Reading Chinua Achebe: Language and Ideology in Fiction. London: James Currey Limited.

Emenyonu, E. & Charles E. Nnolim (2014). Remembering a Legend: Chinua Achebe. New York: African Heritage Press.

Hussein, J. W. (2005). The Social and Ethno-cultural Construction of masculinity and Femininity in African Proverbs. African Study Monographs.26 (2):59-87.

Kammampoal, B. (2022). The Social Use of Language: An Ethnography of Communication in Chinua Achebe’s Arrow of God. International Journal of Literature and Arts. Vol. 10, No. 1, 2022, pp. 28-37. doi: 10.11648/j.ijla.20221001.14

———. (2021). Literacy and Orality: Between Abrogation and Appropriation in Ngugi wa Thiong’o’s The River Between. European Journal of Literature, Language and Linguistics Studies. (4)4.64-86.

———. (2010). Orature in Modern Creative African Writing: Linguistic and Literary Power in Achebe’s Things Fall Apart, CAMES, Sciences sociales et humaines, nouvelle série, B, (013)11. (267-278).

Killam, G. D. (1969). The Writing of Chinua Achebe. London: Heinneman.

Kudadjie, J. N. (2004). Ga and Gangme Proverbs in African Proverbs, Collections Studies, Bibliographies. Stan Nussbaum (ed). Global Mapping International: Colorado.

Lindfors, B. (1972). The palm oil with which Achebe's words are eaten. African Literature Today, New York: Heinemann.

Mcleod, J. (2000/2002). Beginning Postcolonialism. New York: Manchester University Press.

Mieder, W. (1989). American Proverbs: A study of Texts and Contexts. Peter Lang: New York, NY.

———. (2004). Proverbs: A Handbook. London: Greenwood Press.

———. (1986). Encyclopedia of World Proverbs. Englewood Cliffs, N.J.: Prentice-Hall.

———. (1987). “History and Interpretation of a Proverb about Human Nature: Big Fish Eat Little Fish.” In Tradition and Innovation in Folk Literature, by W. Mieder, 178–228 and 259–268 (notes). Hanover, N.H.: University Press of New England.

———. (1993a). ‘Good Proverbs Make Good Vermonters’: The Flavor of Regional Proverbs.” In Proverbs Are Never Out of Season: Popular Wisdom in the Modern Age, by W. Mieder, 173–192. New York: Oxford University Press.

———. (1993b). “The Apple Doesn’t Fall Far from the Tree’: History of a German proverb in the Anglo-American World.” Midwestern Folklore 19: 69–98; also, in Mieder (2000b), 109–144.

———. (1993c). “‘The Grass Is Always Greener on the Other Side of the Fence’: An American Proverb of Discontent.” Proverbium 10: 151–184; also in Mieder 1994: 515–542.

———. (1993d). “The Only Good Indian Is a Dead Indian: History and Meaning of a Proverbial Stereotype.” Journal of American Folklore 106: 38–60; also in Mieder (1997): 138–159 and 221–227 (notes).

———. (1996). “‘No Tickee, No Washee’: Subtleties of a Proverbial Slur.” Western Folklore 55: 1–40; also in Mieder 1997: 160–189 and 227–235 (notes).

———. (2000a). “First come, First Served: Proverbial Wisdom from the World of the Millers and the Mills.” In The Mills at Winooski Falls: Winooski.

Moody, H. L. B. (1971). The Teaching of Literature in Developing Countries. Longman Group Ltd.

Mutiso, G-C. M. (1974). Socio-political thought in African Literature: Weusi? New York: Barnes and Noble.

Na’Ahllah, A. (2009). African Discourse in Islam, Oral Traditions, and Performance. Routledge.

———. (2009). African Discourse in Islam, Oral Traditions, and Performance. Routledge.

Norrick, N. (1985). How proverbs mean: Semantic studies in English proverbs. Berlin: Mouton.

Obiechina, E. N. (1975). Culture, Tradition and Society in the West African Novel. Cambridge: Cambridge University Press.

———. (1993). Narrative proverbs in the African Novel. Research in African Literature, 24(4): 123-40.

Okpewho, I. (1989). African Poetry: The Modern Writer and the Oral Tradition. In Jones, D.J., Palmer, E. & Jones, M. Oral and Written Literature Today. London: Currey. 1-5.

———. (1992). African Oral literature: Backgrounds, Character and community. Bloomington: Indiana University Press.

Oluwole, S. B. (1997). Culture, Gender and Development Theories in Africa. Africa Development. 22 (1):95-121.

Ong, W. J. (1982). Orality and Literacy: The Technologizing of the Word, London/New York, Methuen.

Owu-Ewie, C. (2019). Proverbs in marriage: Counselling role and implications. Legon Journal of the Humanities. Vol. 30 (1). 28.

Ssetuba, L. (2002). The Hold of Patriarchy: An Appraisal of the Gender Proverb in the light of Modern Gender Relations. A paper presented for Cairo Symposium. April 7-10., 2002. Cairo.

Verschueren, J. (1999). Understanding Pragmatics. London: Arnold Publishers.

———. (1989). Proverbs: The Aesthetics of Traditional Communication. Research in African Literature. 20(3): 325-346.

Viningoma, J. (1991). Literacy and Orality in African Literature: The Case of Ngugi wa Thiong’o. Commonwealth. 9(2).

Whiting, B. J. (1934). Proverbial Material in the Popular Ballad. Journal of American Folklore. 47: 22–44.

Yankah, K. (1991). Orality in Akan Society. Discourse and Society. 2(1):47-64. London: Newbury Park: Sage.

———. (2012). The proverb in the context of Akan rhetoric. New York: Diasporic African Press.




DOI: http://dx.doi.org/10.46827/ejls.v3i2.325

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

The research works published in this journal are free to be accessed. They can be shared (copied and redistributed in any medium or format) and\or adapted (remixed, transformed, and built upon the material for any purpose, commercially and\or not commercially) under the following terms: attribution (appropriate credit must be given indicating original authors, research work name and publication name mentioning if changes were made) and without adding additional restrictions (without restricting others from doing anything the actual license permits). Authors retain the full copyright of their published research works and cannot revoke these freedoms as long as the license terms are followed.

Copyright © 2018-2023. European Journal of Literary Studies (ISSN 2601-971X / ISSN-L 2601-971X). All rights reserved.


This journal is a serial publication uniquely identified by an International Standard Serial Number (ISSN) serial number certificate issued by Romanian National Library. All the research works are uniquely identified by a CrossRef DOI digital object identifier supplied by indexing and repository platforms. All the research works published on this journal are meeting the Open Access Publishing requirements and standards formulated by Budapest Open Access Initiative (2002), the Bethesda Statement on Open Access Publishing (2003) and Berlin Declaration on Open Access to Knowledge in the Sciences and Humanities (2003) and can be freely accessed, shared, modified, distributed and used in educational, commercial and non-commercial purposes under a Creative Commons Attribution 4.0 International License. Copyrights of the published research works are retained by authors.