TEXTUAL PATTERNS AND SIGNIFICANCE IN JOE USHIE’S POETRY: A SEMIOSTYLISTIC STUDY
Abstract
Ushie’s poetry has been much studied for its message on topical issues like social injustice, political malfeasance, the environment, among others, and perhaps much more for its use of language. Yet several aspects of the use of language in Ushie’s poetry are yet to receive attention, and a major one among these is what this study has attempted to demonstrate. Against the background of Daiches’ (1948) exposition on creative writing as an art, and the creative writer as an artist in words, this study analyses a few of Joe Ushie’s poems with thetool of semiostylistics, and shows how Ushie communicates his messages through patterns created with language units in the text of his poems. This study concludes that this is a technique Ushie has consciously wrought, being himself a stylistic critic of the works of great literary artists, and thus very conversant with the workings of creative writing as verbal art with a semiotic dimension, as every good work of art in general.
Article visualizations:
Keywords
Full Text:
PDFReferences
Aboh R, 2009a. Socio-Linguistic Innovation in Modern Poetry. The Journal of Modern Poetry 6:87-108. (Published by the International Research Confederacy of African Literature and Culture)
Aboh R, 2009b. Semantic Map and Ideology in Select Nigerian Poetic Discourse. African Journal of History and Culture (AJHC) 1(1): 6-15. Available online at http://www.aademicjournals.org/AJHC
Aboh R, 2012. Modality as a Discourse Strategy in New Nigerian Poetry. Journal of Nigeria Studies 1(2): 1-18.
Aboh R, 2013a. Pronominal Strategies: Language and Social Reality in Joe Ushie’s Poetry. University of Uyo Journal of Humanities (UUJH), 16 &17 (2): 169-185.
Aboh R, 2013b. Proverbs and Euphemisms as Discourse Strategies in Joe Ushie’s Poetry. African Studies72(1): 107-120.
Bodunde C, 2002. TanureOjaide’s Poetry and the Delta Landscape: A Study of Delta Blues and Home Songs. OnookomeOkome ed. Writing the Homelands: The Poetry and Politics of TanureOjaide. Bayreuth, EckhardBreitinger / Bayreuth University, pp 195-208.
Chandler D, 2007. Semiotics – The Basics, 2nd edn. London & New York, Routledge.
Crystal D, Davy D, 1969. Investigating English Style, Longman (English Language Series No. 1)
Daiches D, 1948. A Study of Literature for Readers and Critics, London, Oxford University Press
Egya S, 2011. Art and Outrage: A Critical Survey of Recent Nigerian Poetry in English. Research in African Literature 42(1): 49 – 67. doi: 10. 2979/RESAFRILITE. 2011.42.1.49
Fowler R, 1981. Literature as Social Discourse: The Practice of Linguistic Criticism, Bloomington, Indiana University Press.
Fowler R, 1966. Essays on Style and Language: Linguistic and Literary Approaches to Literary Style, London & Henley, Routledge & Kegan Paul
Garba I B, 2006. Short Takes on New Nigerian Poetry from the Niger Delta. IFRA SpecialResearch Issue, 2 [online]. Ibadan, Institut français de recherché en Afrique. http://books.openedition.org/ifra/920
Guiraud P, 1963. Essais de stylistique : Problèmes et méthodes, Paris, Édition Klincksieck, (Collection « Initiation à la Linguistique », Série B, No. 1)
Guiraud P. 1979. La Stylistique, 9eédn. Paris, Presses Universitaires de France.
Hardy A, 1969. Théorie et méthode stylistiques de M. Riffaterre. La Langue française 3 (La stylistique) 90-96.
Hawkes T, 2003. Structuralism and Semiotics, 2ndedn. London & New York, Routledge. (Francis & Taylor e-Library, 2004).
Hough G, 1969. Style and Stylistics, London, Routledge & Kegan Paul / New York, Humanities Press
Iwamoto, N. Stylistic and Linguistic Analysis of a Literary Text Using Systemic Functional Grammar, Web at www.human.kanagawa-u.ca.jp/gakkai/publ/pdf/no162/16209.pdf
Jakobson R, 1971. Language in Relation to Other Communication Systems. R. Jakobson, Selected Writings, II, The Hague, Mouton, pp 697-708.
Molinié G, 1998. Sémiostylistique, l’effet de l’art, Paris, Presses Universitaires de France.
Molinié G, Viala A, 1993. Approches de la Réception – Sémiostylistique et sociopoétique de Le Clézio, Paris, Presses Universitaires de France.
Mowarin M, 2009. Pidgin Rhetoric in Nigerian Poetry. African Journal of New Poetry, 6: 121-140.
Muhammed-Badar S J, 2012. A Systemic Text Linguistic Study of Selected Nigerian Novels. PhD Thesis, Ahmadu Bello University, Zaria, Nigeria.
Ohmann R, 1964. Generative Grammar and the Concept of Literary Style Word, 20 (3): 423-439. doi: 10. 1080/00437956. 1964. 11659831
Osundare N, 1990. Waiting Laughters, Lagos, Malthouse Press Limited.
Osundare N, 2003. Cautious Paths through the Bramble: A Critical Classification of Style Theories and Concepts, Ibadan, Hope Publications (Hope Library of Liberal Arts, 1)
Peirce C. S, 1931. Collected Writings (8 Vols.), Edited by Charles Hartshone, Paul Weiss and Arthur W. Burks, Cambridge (MA), Havard University Press
Riffaterre M 1961. Vers la définition linguistique du style. Word 17(2) : 318-344. doi : 10.1080/00437956.1961.11659759
Riffaterre M, 1964. L’Etude stylistique des formes littéraires conventionnelles. The French Review 38(1) :3-14
Soudani H, 2014. Sémiostylistique de l’œuvre poétique de Louis Aragon, Doctoral Thesis, Université de Paris 4 (in collabarationwith Université des Lettres, Arts et Sciences humaines, Tunis1, Faculté des Lettres de Manouba).
Stolz C, 1998. La polyphonie dans La Belle du Seigneur d’Albert Cohen: Pour une approche sémiostylistique, Paris, Champion.
Swardhani W, 2013. Structuralism and Semiotics – Applied Criticism,www.wayanswardhani.lecture.ub.ac.id/files/2013/04/structuralism-and-semiotics.pdf
Thorne J P, 1970. Generative Grammar and Stylistic Analysis. John Lyons (Ed.), New Horizons in Linguistics, Penguin Books Ltd.
Tsaaior J T, 2012. Postcolonial History, Memory and the Poetic Imagination: Interrogating the “Civan” Metaphor in Joe Ushie’s Eclipse in Rwanda. Journal of Philosophy: A Cross-Disciplinary Inquiry 7(17): 28-39.
Turner G W, 1973. Stylistics, Penguin Books Ltd.
Ufot B, 2006 An Introduction to Practical Stylistics, Lagos, Solar Flares Communications
Ushie J, 2005. The Efficacy of Hope: A review of Mercy Ekanem-Inyang’s A Harvest of Scarlet Coals and Other Poems, http://ushie-litworld.blogspot.com.ng/2005/01/reviews-by-joe-ushie.html
Ushie G O, Bello I, 2014. Umbilical Accord and Symbiosis between Man and the Environment: A Stylistic Analysis of Joe Ushie’s Hill Songs and UnimnaAngrey’s Drought (Ubuang). Theory and practice in Language Studies, 4(7):1327-1333.
Vaquez-Ayora G, 1979. Semiostylistics: Stylisics and Interpretation. Babel 25 (4): 204-206.
DOI: http://dx.doi.org/10.46827/ejlll.v4i1.191
Refbacks
- There are currently no refbacks.
Copyright (c) 2020 Mike T. U. Edung
This work is licensed under a Creative Commons Attribution 4.0 International License.
The research works published in this journal are free to be accessed. They can be shared (copied and redistributed in any medium or format) and\or adapted (remixed, transformed, and built upon the material for any purpose, commercially and\or not commercially) under the following terms: attribution (appropriate credit must be given indicating original authors, research work name and publication name mentioning if changes were made) and without adding additional restrictions (without restricting others from doing anything the actual license permits). Authors retain the full copyright of their published research works and cannot revoke these freedoms as long as the license terms are followed.
Copyright © 2017-2023. European Journal of Literature, Language and Linguistics Studies (ISSN 2559 - 7914 / ISSN-L 2559 - 7914). All rights reserved.
This journal is a serial publication uniquely identified by an International Standard Serial Number (ISSN) serial number certificate issued by Romanian National Library. All the research works are uniquely identified by a CrossRef DOI digital object identifier supplied by indexing and repository platforms. All the research works published on this journal are meeting the Open Access Publishing requirements and standards formulated by Budapest Open Access Initiative (2002), the Bethesda Statement on Open Access Publishing (2003) and Berlin Declaration on Open Access to Knowledge in the Sciences and Humanities (2003) and can be freely accessed, shared, modified, distributed and used in educational, commercial and non-commercial purposes under a Creative Commons Attribution 4.0 International License. Copyrights of the published research works are retained by authors.