WOMEN'S RESISTANCE TO OPPRESSION IN A DEFIANCE TO APARTHEID'S LEGACY IN LUEEN CONNING'S A COLOURED PLACE

Hayder Gebreen, Mujtaba Al-Hilo

Abstract


Lueen Conning explores in her play A Coloured Place (henceforth ACP), the destructive effects of the Apartheid system in South Africa on South African post- Apartheid women. This paper gives a critical, contextual analysis of ACP (1998) by Lueen Conning. It investigates the feminist elements that are found in the play to show how that authoritarian system affected their lives even after its fall, especially colored women and the need to raise awareness of its effects. The colored protagonist of the takes a key role in revealing the suffering of a hybrid females individuals in a post-Apartheid South African society and the potential consequences of that hybrid identity. This paper also examines the autobiographical elements that are found in the play. Therefore, it likewise shows how female playwrights like Lueen Conning (Malika Ndlovu) are trying to lead the social change in the post-Apartheid society through portrayal of heroines' abuse and raising awareness of women's problems in that racist oppressive society. They are successful to show the failure of the system although they are becoming lonely outsiders by that system. The context of the study and the literature review have paved the way by providing the theoretical basis for the analysis of the play. Thus, this short study sheds the light on how Apartheid South Africa state affects the social change, but it is similarly demonstrating the resistance to that abusive world of that era.

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Keywords


Lueen Conning (Malika Ndlovu), A Coloured Place, Apartheid, women oppression, Black South African theater

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References


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DOI: http://dx.doi.org/10.46827/ejlll.v4i3.216

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