CHRIS NWAMUO’S THE PRISONERS AND THE SQUEEZE AS REFLECTIONS OF A NATION IN DIRE NEED OF LEADERSHIP ATTITUDINAL RE-ORIENTATION: A DIALOGIC APPROACH
Abstract
This study on “Chris Nwamuo’s The Prisoners and The Squeeze as reflections of a nation in dire need of leadership attitudinal re-orientation: a dialogic approach”, examines the worrying and vexed problem of the failure of political leadership in Nigeria. Using the theory of dialogism to interrogate and challenge political leadership in Nigeria, the study opines that manifestations of failed political leadership, such as unemployment, poverty, mismanagement, social injustice, oppression etc., as seen in the plays are symptomatic of a lack of patriotism on the part of the leaders. The study opines that a change in the attitudes of the elites, which will see to the emergence of patriotic leadership is the panacea needed to maximize the nation’s human and natural resources potentials towards a better society.
Article visualizations:
Keywords
Full Text:
PDFReferences
Abati, Reuben. “Set the Captives Free: A Royal”. Daily Sketch. Friday, October 16, 1987. Print.
Achebe, Chinua. Morning yet on Creation Day. Ibadan: Heinemann, 1975. Print.
---. The Trouble with Nigeria. Enugu: Fourth Dimension Publishing Company, 1983. Print.
Adah-Ezeh, Maryissabella. “Images of Leaders in A Parliament of Vultures: Emeka Nwabueze as a Critic”. Theatre and New Horizons: Selected Essays on Emeka Nwabueze. Ed. Uche Chinemere Nwaozuzu. Enugu: ABIC Books, 2011. Print.
Akoh, Ameh and Charles Adora. “Humanizing the Dehumanized: Collective Pedagogy in Nwamuo’s The Prisoners” The Dramaturgy of Liberation and Survival. Eds. Andrew Esekong and Ajibade Babson. Calabar: University of Calabar Press, 2009: 128-142. Print.
Andrew, Esekong. Masculinity, Economic Productivity and Social Stratification in Chris Nwamuo’s The Squeeze”. The Dramaturgy of Liberation and Survival: Festschrift Essays on Chris Nwamuo’s Scholarship. Eds. Andrew Esekong and Ajibade Babson. Calabar: University of Calabar Press, 2009: 128-142. Print.
Arinze, Ngube. “Political Leadership and State Failure in Africa: Lessons from the Central African Republic”. Politics and Law in Africa: Current and Emerging Issues. Eds. Aloysius Michael Okolie, Onyemaechi A. Eke and PaulAree. Willy Rose and Appleseed Publishing Company, 2014: 150-169. Print.
Atakpo Uwemedimoh and Sunday Umanah. “Oppression and Injustice as Social Monsters: Chris Nwamuo’s Antidote in The Prisoners”. The Dramaturgy of Liberation and Survival: Festschrift Essay on Chris Nwamuo’s Scholarship. Eds. Andrew Esekong and Babson Ajibade. Calabar: University of Calabar Press, 2009: 74-81. Print.
Booth, James. Writers and Politics in Nigeria. London: Hodder and Stoughton, 1981. Print.
Dasylva, Ademola. “The Writer and Ph(f) aces of Conflict in Africa”. Readings in Language and Literature. Ed. Lekan Oyeleye. Ile-Ife: OAU Press, 2003: 201-219. Print.
Eghagha, Hope. Reflections on Portrait of Leadership in contemporary Nigerian Literature. Positive Leadership Monograph Series. No.6 Ikorodu: Centre for Social Science Research and Development, 2003. Print.
Emerson Caryl and Gray Saul Morson. “Mikail Bahktin”. July 2002. Web. 5th May, 2005.
Emezue, Gloria M.T. “Dialogism and Dispossession in Post War Nigerian Poetry: A Study of the Works of Fire Nigerian Poets”. Diss. University of Calabar, 2006: 224. Print.
Erasmus, Gerhard. “Governance, Trade and Statehood in Africa”. 12th July, 2013. Web 20th August, 2013.
Eshiet, Imo. “Beyond the Ritual Archetype: Chris Nwamuo and the search for New Idioms in Nigerian Drama”. The Dramaturgy of Liberation and Survival: Festscript Essays on Chris Nwamuo’s Schorlarship. Eds. Andrew Esekong and Ajibade Babson. Calabar: University of Calabar Press, 2009: 31-45. Print.
Eshiet, Imo. “Drama and Nation-Building: Themes and Relevance in The Prisoners”. CAJOLIS Vol.V (2). 2002: 75-94. Print.
Essien, Edet. “The Squeeze: A Virtuosal Presentation of the Nigerian Project”. The Dramaturgy of Liberation and Survival: Festschrift Essays on Chris Nwamuo’s Scholarship. Eds. Andrew Esekong and Ajibade Babson. Calabar: University of Calabar Press, 2009: 99-108. Print.
Essien-Eyo, Ako, “Theatre and Survivalist Philosophy in Nigeria: An Examination of No more the Wasted Breed and The Squeeze”. Focus on Theatre. Vol.2. April 2001. Print.
Kachua, Effumbe. Socio-Political Perspectives in Nwamuo’s Drama. Calabar: Optimist Press, 2009. Print.
Musa, Abiodun and Anyanwu Victor. “The Nigerian Radical Theatre Movement and the New Democracy”. Theatre and Democracy in Nigeria. Ed. Ahmed Yerima and Ayo Akinwale. Ibadan: Kraft Books, 2002. Print.
Nda, Ubong. “A Socio-Political Reading of Chris Nwamuo’s The Squeeze”. The Dramaturgy of Liberation and Survival: Festschrift Essays on Chris Nwamuo’s Scholarship. Eds. Andrew Esekong and Ajibade Babson. Calabar: University of Calabar Press, 2009: 223-227. Print.
Nwamuo, Chris. The Prisoners. Enugu: Tana Press, 1985. Print.
Nwamuo, Chris. The Squeeze. Calabar Centaur Press, 1989. Print.
Nwuzor, Agaptus, “Political Leadership, Poverty and Failed State Syndrome in Africa” Politics and Law in Africa: Current and Emerging Issues. Eds. Aloysius Michael Okolie, Onyemaechi A. Eke and Paul Aree. Willy Rose and Appleseed Publishing Company, 2014: 150-169. Print.
Obiechina, Emmanuel. Language and Theme: Essays on African Literature. Washington DC: Howard University Press, 1990. Print.
Okereke, Grace. “African Feminist Dialogics: Politics in Selected African Morels”. Currents in African Literature and the English Language Vol.1x. May 2014: 19-36. Print.
Okpiliya, James O. “War Literature as Metarphor for a Failing State in Chris Nwamuo’s The Prisoners” The Dramaturgy of Liberation and Survival: Festschrift Essays on Chris Nwamuo’s Schorlarship. Eds. Andrew Esekong and Ajibade Babson. Calabar: University of Calabar Press, 2009: 109-1
Refbacks
- There are currently no refbacks.
Copyright (c) 2018 Uwem Affiah, Joel Anom
This work is licensed under a Creative Commons Attribution 4.0 International License.
The research works published in this journal are free to be accessed. They can be shared (copied and redistributed in any medium or format) and\or adapted (remixed, transformed, and built upon the material for any purpose, commercially and\or not commercially) under the following terms: attribution (appropriate credit must be given indicating original authors, research work name and publication name mentioning if changes were made) and without adding additional restrictions (without restricting others from doing anything the actual license permits). Authors retain the full copyright of their published research works and cannot revoke these freedoms as long as the license terms are followed.
Copyright © 2017-2023. European Journal of Literature, Language and Linguistics Studies (ISSN 2559 - 7914 / ISSN-L 2559 - 7914). All rights reserved.
This journal is a serial publication uniquely identified by an International Standard Serial Number (ISSN) serial number certificate issued by Romanian National Library. All the research works are uniquely identified by a CrossRef DOI digital object identifier supplied by indexing and repository platforms. All the research works published on this journal are meeting the Open Access Publishing requirements and standards formulated by Budapest Open Access Initiative (2002), the Bethesda Statement on Open Access Publishing (2003) and Berlin Declaration on Open Access to Knowledge in the Sciences and Humanities (2003) and can be freely accessed, shared, modified, distributed and used in educational, commercial and non-commercial purposes under a Creative Commons Attribution 4.0 International License. Copyrights of the published research works are retained by authors.