SPECULATIVE FICTION, MEMORY AND GENETIC ENGINEERING IN KAZUO ISHIGURO’S “NEVER LET ME GO”
Abstract
This article analyses the narrative structure of Kazuo Ishiguro's dystopian novel Never Let Me Go. In investigating the use and narrative depiction of memory, this article demonstrates how Kathy's lapse in memory and unreliability communicates the denied humanity and sense of agency that she and her fellow “carers” experience within the biopolitical regime in which they are subject to. As clones raised to harvest vital organs, Ishiguro’s characters are involved in a complex mediation and reflection upon the limits of genetic engineering. I argue that Ishiguro’s narrative configuration embodies and critiques the ethics of the genetic modifications his characters undergo by revealing and questioning their humanity in a world that deprives them of free-will.
Article visualizations:
Keywords
Full Text:
PDFReferences
Ishiguro K, 2005. Never Let Me Go. Chatham, Faber and Faber Limited.
McDonald K, 2007. “Days of Past Futures: Kazhuo Ishiguro’s Never Let Me Go as ‘Speculative Memoir’”. Biography: An Interdisciplinary Quarterly, 30 (1), pp.74-84. doi: 10.1353/bio.2007.0025.
Beaumont A, 2015. Contemporary British Fiction and the Cultural Politics of Disenfranchisement; Freedom and the City. Basingstoke, Palgrave.
Thacker E, 2001. “The Science Fiction of Technoscience: The Politics of Simulation and a Challenge for New Media Art”. Leonardo, 34 (2): 155-158. doi: 10.1162/002409401750184726.
Royle N, 2003. The Uncanny. Manchester, Manchester University Press.
Cusk R, 2011. Rereading: Never Let Me Go by Kazuo Ishiguro. The Guardian. https://www.theguardian.com/books/2011/jan/29/never-let-me-go-kazuo-ishiguro. Accessed 1 February 2019.
Groes, S. 2011. “’Something of a lost corner”: Kazuo Ishiguro’s Landscapes of Memory and East Anglia in Never Let Me Go”. In: Groes, S and Lewis, B.ed. Kazuo Ishiguro New Critical Visions of the Novels. Basingstoke, Palgrave Macmillan, pp. 211-225.
Lochner L, 2011. “‘This is what we’re supposed to be doing, isn’t it?’: Scientific Discourse in Kazuo Ishiguro’s Never Let Me Go”. In: Groes, S and Lewis, B.ed. Kazuo Ishiguro New Critical Visions of the Novels. Basingstoke, Palgrave Macmillan, pp 225-235.
Sim W, 2010. Kazuo Ishiguro. Abington, Routledge.
Lewis B, 2011. “The Concertina Effect: Unfolding Kazuo Ishiguro’s Never Let Me Go”. In: Groes, S and Lewis, B.ed. Kazuo Ishiguro New Critical Visions of the Novels. Basingstoke, Palgrave Macmillan, pp.199-210.
Caporale Bizzini S, 2013. “Recollecting Memories, Reconstructing Identities: Narrators as Storytellers in Kazuo Ishiguro’s When We Were Orphans and Never Let Me Go”. Atlantis, 35 (2), pp.65-80. doi: 0210-6124.
Yeung V, 2017. “Morality and Memory in Kazuo Ishiguro’s Never Let Me Go”. Transnational Literature, 9 (2): 1-13.
Refbacks
- There are currently no refbacks.
Copyright (c) 2019 Tia Byer
This work is licensed under a Creative Commons Attribution 4.0 International License.
The research works published in this journal are free to be accessed. They can be shared (copied and redistributed in any medium or format) and\or adapted (remixed, transformed, and built upon the material for any purpose, commercially and\or not commercially) under the following terms: attribution (appropriate credit must be given indicating original authors, research work name and publication name mentioning if changes were made) and without adding additional restrictions (without restricting others from doing anything the actual license permits). Authors retain the full copyright of their published research works and cannot revoke these freedoms as long as the license terms are followed.
Copyright © 2017-2023. European Journal of Literature, Language and Linguistics Studies (ISSN 2559 - 7914 / ISSN-L 2559 - 7914). All rights reserved.
This journal is a serial publication uniquely identified by an International Standard Serial Number (ISSN) serial number certificate issued by Romanian National Library. All the research works are uniquely identified by a CrossRef DOI digital object identifier supplied by indexing and repository platforms. All the research works published on this journal are meeting the Open Access Publishing requirements and standards formulated by Budapest Open Access Initiative (2002), the Bethesda Statement on Open Access Publishing (2003) and Berlin Declaration on Open Access to Knowledge in the Sciences and Humanities (2003) and can be freely accessed, shared, modified, distributed and used in educational, commercial and non-commercial purposes under a Creative Commons Attribution 4.0 International License. Copyrights of the published research works are retained by authors.